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The Weekly Anime Discussion Post For September 9th, 2018

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The summer season is inching closer to wrapping up and there’s that sense of change in the air – ably aided by the fact that the temperature here dropped twenty degrees in the last day or so. We’re still mired in the world of shorts and even got a skip week with One Piece so it’s a touch quieter than normal on the anime side.

I did manage to take in some for-pleasure anime viewing, however. Thursday was the subtitled one-night event for Perfect Blue and it was an absolute delight to see that on the big screen for the first time. I haven’t seen it since the awful DVD release came out decades ago so it was great to get such a clean and wonderful presentation for it.

I also took a little me time to watch my PS3/BD combo edition of the Macross: Do You Remember Love? movie. This thing is still magical for me and I can’t get over how great it looks. The nostalgia and all the feels that take me back to my teenage days.

In terms of what’s come in this past week, we got ain about 30lbs of manga to start sending off to the review team. We did get a little anime with:

Coming up this week in reviews we’ve got a few titles on tap that are being wrapped up with:

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Next #anime up for review is from @funimation

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Bandai Visual Schedules ‘Code Geass: The Imperial Path’ Anime DVD/BD Releases

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© SUNRISE / PROJECT L-GEASS Character Design © 2006-2017 CLAMP · ST

I had missed this when it was announced recently but Bandai Visual has the third compilation film for the Code Geass franchise coming up with The Imperial Path. Out in theaters on May 26th, 2018, the film is getting a September 26th, 2018 debut where there’s a DVD priced at 5,800 yen and a limited edition Blu-ray at 7,800 yen. The LE comes with a bonus disc that has a visual commentary, promos, a deluxe booklet, a postcard, and the three-panel case you can see the artwork for below.

Plot Concept: In 2017, parts of the world are under the control of the Holy Britannian Empire. Japan is now known as Area 11, the proud people treated as lower class citizens. Lelouch Lamperouge was once a Britannian prince but when his mother was assassinated, he was left in Japan and thought to be dead. After getting caught up in a terrorist attack, he encounters a strange girl known as C.C., who grants him the power of Geass and the ability to command others.

With his newfound powers, Lelouch becomes Zero, a rebel leader for justice, and forms his own anti-government group. His goals are simple: get answers about his mother’s murder and make a world that is worthy of his beloved little sister, Nunnally. Even with his Geass, Lelouch will encounter countless challenges. But nothing can prepare him to face his former best friend, Sazaku Kururugi, a Japanese citizen…and soldier of Britannia? The power of Geass: Is it a blessing…or a curse?

Code Geass The Imperial Path Japanese LE Packaging

Code Geass The Imperial Path Japanese LE Blu-ray Cover

Code Geass The Imperial Path Japanese DVD Cover

A Test Of Courage With The Latest ‘Overlord III’ Anime Dub Clip!

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© Maruyama Kugane · Published by KADOKAWA / Overlord 3 Production

Funimation is moving along with their simuldub of the Overlord III anime series and that means we’ve now got a new clip from later in it. The show is one that’s amusing to watch and this clip digs into Ains testing the strength of a giant ogre…

It was animated by Madhouse with Naoyuki Itou directing it based on scripts by Yukie Sugawara and character designs by Takahiro Yoshimatsu as they adapt from the original works.

The series comes from author Kugane Maruyama with illustrations by so-bin that’s published by Enterbrain. It began in the summer of 2012 and released its twelve volume so far, which are released by Yen Press domestically along with the manga adaptation. The series has had two drama CDs released with previous volumes.

Check out our review of the first season.

The series comes from author Kugane Maruyama with illustrations by so-bin that’s published by Enterbrain. It began in the summer of 2012 and released its twelve volume so far, which are released by Yen Press domestically along with the manga adaptation. The series has had two drama CDs released with previous volumes.

The Japanese cast includes Kenta Miyake as Cocytus, Manami Numakura as Narberal Gamma, Masayuki Katou as Demiurge, Shigeru Chiba as Sebas Tian, and Yumi Uchiyama as Mare Bello Fiore.

Plot Concept: The series follows a salaryman who remains online when the service for an MMORPG ends. In doing so, he becomes a powerful skeletal wizard. In his new form, he begins attracting followers and conquering the digital world that remains.

What’s On The Crunchyroll, Funimation, & HIDIVE Anime Streaming Calendar For September 10th, 2018

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The new weeks is getting underway as we move closer to the end of the summer season. Crunchyroll has a range of shows up today that includes a few shorts while Funimation has a single simuldub. HIDIVE works through a classic while bringing out a third film in a series to delight.

Crunchyroll:

  • 6:55am – PUZZLE & DRAGONS X
  • 10:30am – KAKURIYO -BED & BREAKFAST FOR SPIRITS-
  • 12:30pm – PHANTOM IN THE TWILIGHT
  • 1:45pm – ONE ROOM SECOND SEASON
  • 2:35pm – HOLMES OF KYOTO
  • 3:00pm – ENCOURAGEMENT OF CLIMB SEASON 3

Funimation:

  • 4:00 PM – Steins;Gate Episode 19 English Simulcast Premium TV-14

HIDIVE:

  • Noon – Glass Mask 1984, Ep 16
  • Noon – Initial D Legend 3: Dream (Sub/Dub)

SMIRAL Reveals Finalized First ‘Island’ Anime Blu-ray Release Artwork

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© Frontwing / PROTOTYPE

The summer 2018 anime series Island is getting its home video releases handled by SMIRAL in Japan and they’ve set a solid schedule for it. The first volume is coming up in a few weeks at the end of the month and they’ve now put out a finalized version of the cover artwork for it, rearranging its shape a touch and putting a logo on it. The series is getting a four-volume release on Blu-ray only where they’re priced at 9,200 yen each beginning on September 28th, 2018. No details in regards to extras have been revealed yet.

Keiichirou Kawaguchi directed it based on the series composition by Naruhisa Arakawa. Kousuke Kawamura worked on the character designs for it while Studio feel handled the animation.

The Japanese cast includes Yukari Tamura as Rinne Ohara, Kana Asumi as Karen Kurutsu, Hibiku Yamamura as Sara Garandou, Yui Nakajima as Mei Tandori, Tomoyo Takayanagi as An Hatoma, Takako Tanaka as Emiri Sunada, Tatsuhisa Suzuki as Setsuna Sanzenkai, Rina Satou as Kuon Ohara, and Takamasa Mogi as Tarō Harisu.

Yukari Tamura performed the opening theme song “Eien no Hitotsu” while Asaka is performing the ending theme song.

Check out the official site and Twitter.

Plot Concept: The island of Urashima sits on the ocean far, far away from the mainland. The island is so lush and beautiful that one might mistake it for paradise, but the people there are trapped by a complex past and long-established traditions. Long since abandoned and all but forgotten by the mainland, the people of the island are ready to give up hope. But then, a young man named Setsuna who calls himself a “time traveler” washes up on the island. Setsuna has lost all of his memories except for a certain mission that he must fulfill. On Urashima, he meets three girls, Rinne, Karen, and Sara, and begins to work toward changing the island’s future. The story of a young man and the three girls he meets on an island full of mysteries and exclusive customs is about to be unraveled…

Volume Date Extras
1 09/28/18
2 10/26/18
3 11/30/18
4 12/28/18

Island Japanese Volume 1 Cover

[Source: Island]

‘The Nun’ Conjures Up Massive Box Office Win

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© 2018 Warner Bros. Ent. All rights reserved

September’s the month when we start to see some interesting films after the usual dumping ground that August continues to be, which is still baffling since some films show you can open really big during it. While we aren’t quite to the prestige slate of films yet there are things that hit this month that can have some real legs and overperform expectations. Such is the case with The Nun, which opened to a $53.5 million debut in just under 3,900 screens in North America. Part of the larger horror line from Warner Bros. that are connected, it surpassed the opening record of The Conjuring which clocked in at $41.8 million a few years back. Warner Bros. is definitely loving this period as they’ve had the top spot for the past five weeks with three different films, all of which are doing strong numbers here and overseas with The Meg and Crazy Rich Asians.

Expectations for the film are at the $155 million range domestic when all is said and done as these tend to be a bit frontloaded, but the film also did $77 million overseas this weekend so it’s going to do very well in general. Ok, that’s an understatement. With a budget of $22 million before P&A, it’s going to do fantastic. Everything at this point is pretty close to pure profit.

The other new opener this weekend was Peppermint as Jennifer Garner goes back to her action roots and hit expectations with a $13 million take in just under 3,000 screens. It’s comparable to the John Wick franchise and is just behind what that opened with and with as little fanfare in general. It’s solid in CinemaScore with a “B+ and played heavier to women and the majority of it being 25 and over. Which means it should do well during weeknight showings with older post-work audiences as the kids just don’t seem to be aware of it. With a $25 million budget and STX just distributing, it should do well overall.

Quick notes: In its second week, Kin dropped 73% to bring in just 830,000. Ouch. Crazy Rich Asians banked a bit more with another $13.6 million to hold second place, bringing it to $136 million domestic. The Meg added another $11 million overseas in addition to the $6 million domestic and it’s about $9 million away from crossing the $500 million mark. That’s craziness. And Ant-Man and the Wasp added another 7 million overseas this weekend which combined with weekday takes brings it to $610 million worldwide. Here’s hoping for a big role in Avengers 4, little guy.

Hot watch: In limited release, Kusama Infinity opened in two locations this weekend and did $30,000. It’s an intriguing documentary piece on someone whose presence in the art world has long struggled to find a place and the journey is an engaging viewing experience.

Coming next week: Fox is banking on The Predator wi 3,900 screens to get the franchise moving again with Shane Black in charge. Lionsgate hits the thriller side that tends to populate September with A Simple Favor opening in 3,000 screens, while Studio 8 finds 2,400 screens for White Boy Rick. Pure Flix also drops a new film into the mix with Unbroken: Path to Redemption in 1,500 screens.

Kadokawa Showcases ‘Angolmois: Record of Mongol Invasion’ Anime DVD/BD Box Set CD Bonus

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© 2018 Norihiko Takagi / KADOKAWA

The summer 2018 anime series Angolmois: Record of Mongol Invasion is being handled by Kadokawa and they’ve set their plans for the release. While we’ve got a bit to go before the release of the series with its first-half box set, Kadokawa has brought out a new three-minute video that puts together three of the series actors where we get a taste of the special talk segment that’s included as part of the set with the CD. Naturally, it’s not subtitled but if you want a taste of what these guys are like when just hanging around together…

The twelve episode series is getting done as two box sets beginning on November 28th, 2018. Each set has six episodes and the DVD sets are priced at 16,000 yen while the Blu-ray sets are priced at 18,000 yen. Check the schedule and details below!

The show was directed by Takayuki Kuriyama based on the series composition by Shogo Yasukawa. Masatomo Komine worked on the character designs and NAZ handled the animation production.

The Japanese cast includes Yuuki Ono as Kuchii Jinzaburō, Lynn as Teruhi, Rikiya Koyama as Onitakemaru, Kenji Nomura as Shiraishi Kazuhisa, Shiro Saito as Chōminpuku, Shun Horie as Amushi, Ryota Takeuchi as Hitari, Yūsuke Kobayashi as Dōen, Kenji Hamada as Obusuma Saburō, Hidekatsu Shibata as Sō Sukekuni, Tatsuhisa Suzuki as Abiru Yajirō, Shinnosuke Tachibana as Kagesuke Shōni, Kensho Ono as Hangan Nagamine, Volcano Ōta as Gontarō Kaitani, Mikako Komatsu as Kano, Takehito Koyasu as Fukukō Ryū, Kentarou Tone as Uriyanedi, Takashi Matsuyama as Hōkei Kin, Asumi Yoneyama as Tatsu, and Natsuko Hara will play Sana.

The manga kicked off in 2013 as serialized in Samurai A magazine with Comic Walker availability as well.

Check out the official site and Twitter.

Plot Concept: Great fear came from the sea! Full-scale history Taiga Roman draw major events that shook medieval Japan the “Moto寇” in innovative point of view! As a sinner Bushi Kamakura-朽井迅Saburo sent to Tsushima, to be converse the Mongolian army and the blade on the island!

Volume Date Extras
1 11/28/18 Booklet, We bPreviews, Clean Opening, Clean Closing
2 12/21/18

[Source: Angolmois]

Second ‘IDOLM@STER CINDERELLA GIRLS Theater’ 3rd Anime Season DVD/BD Artwork Arrives

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©BNGI/PROJECT CINDERELLA

The anime adaptation of the five-panel manga series THE IDOLM@STERCINDERELLA GIRLS Theater has its third season home video release now scheduled. With the first release out and the second coming up in a few weeks we now have a look at that second volume as a whole that looks pretty good. Kadokawa has set the same plan as the first two seasons with a three-volume release that’s set to begin on August 24th, 2018. The DVDs are priced at 3,000 yen each while the Blu-ray’s are priced at 3,500 yen each.

The series will again be directed by Puchimas!!: Petit Petit iDOLM@STER director Mankyuu based on the original character designs by Kuma-Jet. Studio Gathering will be producing the animation.

The cast includes Ayaka Ohashi as Uzuki Shimamura, Ayaka Fukuhara as Rin Shibuya, Sayuri Hara as Mio Honda, Ruriko Aoki as Riina Tada, Hiromi Igarashi as Anzu Futaba, Sumire Uesaka as Anastasia and Maaya Uchida as Ranko Kanzaki.

The series will be working off of the manga that’s produced for the mobile game app. It’s been producing work since 2012 and has eight volumes out as of March 2018.

Plot Concept: Our IDOL friends are back again today! Get a rare look at how IDOLS spend their days off, as well as their comical interactions with each other in this hyper-fun-filled short anime.

Volume Date Extras
1 08/24/18 Booklet, CD
2 09/26/18 Booklet, CD
3 10/24/18 Booklet, CD

Idolmaster Cinderella Girls Season 3 Volume 2 Cover

Idolmaster Cinderella Girls Season 3 Volume 1 Cover

Idolmaster Cinderella Girls Season 3 Volume 1 Packaging

[Source: Idolmaster Cinderella Girls]


Karin Takahashi’s ‘Ongaku Shojo’ Anime Ending Song Music Video Arrives

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© Music Girl Production Committee

The summer series Ongaku Shojo is moving right along with new episodes coming out weekly on a couple of different services. With several episodes out so far, the official site and social media have dropped a fun new music video of sorts for it focusing on the ending song of the series “Lovely trouble” which is performed by Nako Eguchi as Roro Morooka. The CD for it is being released on September 5th, 2018 in Japan!

The show is directed by Yukio Nishimoto based on the series composition by Deko Akao. Momoka Komatsu is adapting the character designs from what Matsuri Santa originally created. Studio DEEN is handling the animation production.

The Japanese cast includes Seria Fukagawa as Hanako Yamadaki, Karin Takahashi as Sasame Mitsukuri, Miho Okazaki as Mirai Nishio, Yuko Ōno as Yukino Hinata, Miyuri Shimabukuro as Shoop Gushiken, Nako Eguchi as Roro Morooka, Lynn as Kotoko Kintoki, Yui Ogura as Haori Mukae, Sumire Uesaka as Kiri Mukae, Manami Numakura as Haru Chitose, Asami Seto as Eri Kumagai, and Mai Fuchigami as Sarasa Ryūō.

Check out the official site and Twitter.

Plot Concept: The series follows Hanako Yamadaki when she encounters the obscure, low-selling 11-member “C-list” idol unit Ongaku Shōjo. Their producer Ikehashi thinks the unit needs a new member. Together, Ongaku Shōjo and Hanako strive for the top of the music world.

Alice & Zoroku Complete Collection Blu-ray Anime Review

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Wonderland is coming.

What They Say:
On the run from the research facility that imprisoned her, a little girl named Sana finds herself living with a stern but caring old man named Zoroku. With the abilities to teleport and summon anything she can imagine, Sana has some difficulty integrating into society. Will Sana learn to live a normal life, or is the Wonderland she created the only haven she can depend on?

The Review:
Audio:
The audio presentation for this release brings us the original Japanese language track in stereo along with the English language dub that gets a 5.1 bump, both of which are encoded using the Dolby TrueHD lossless codec. The series is one that is heavier on dialogue than action but it has some bigger moments throughout that lets it shine. The dialogue side is well-handled with how placement works and the overall directionality of it so that with multiple people on screen it flows well with the highs and lows. The action throughout the series is pretty good and when it shifts into higher gear with some of the more unusual elements of it, especially in the last few episodes, it gets to stretch nicely – particularly in the 5.1 mix that orchestrates more to the rear channels. Dialogue is clean and clear throughout and we didn’t have any problems with dropouts or distortions during regular playback.

Video:
Originally airing in 2017, the transfer for this TV series is presented in its original aspect ratio of 1.78:1 in 1080p using the AVC codec. The twelve episodes are spread across two discs with eight on the first and four on the second. Animated by JC Staff, the series has a strong look to it with some really great character designs that retain lots of detail throughout. This combined with the color design means a winning combination as the more fluid sequences stand out beautifully and there’s a good depth to it all. It plays more to real world than a simple approach and the character coloring really is appealing, especially with Alice’s hair, while the backgrounds hold a lot of detail in the settings and with enough shading to give it depth. It’s a clean looking encode throughout where there’s nothing in the way of breakup or noise during regular or high-motion sequences.

Packaging:
The packaging for this release comes in a slightly thicker than normal Blu-ray case that holds the four discs for both formats with an o-card that replicates the same design but uses different artwork. The front cover goes for a nice bit of ornate pink and white to frame everything where the o-card has Alice and Zoroku together and the case has Sana with Asahi and Yonaga walking about the city with Dream of Alice steps. The color design is soft but it works well to have a light and fun approach while also showing off the two different forms of Alice when it comes to her hair. The back cover is the same for both where it uses the same kind of pink and white and has a few shots from the show along the top. The summary of the premise is well-covered and we get a good breakdown of the extras. The production and technical information are a bit harder to read with smaller text in the same white on pink but they do reflect how the discs are put together clearly and accurately. No show related inserts are included but we do get a great two-panel full color spread on the reverse side showcasing the cast in a fun way.

Menu:
The menus for this release keep things simple with static images that work well even if they are busy simply because they’re filled with great character designs and the whole Alice in Wonderland element of it all. With it using the reverse side cover artwork, it’s filled with lots of appealing colors and richly detailed characters floating around to give it an otherworldly feeling. The logo is kept to the upper left in a way that doesn’t have it stand out while the navigation is at the bottom left with it a small pink block with white text. The navigation is straightforward and easy without a lot to do beyond the basics here but it functions cleanly and without problems both as the main menu and as the pop-up menu during playback.

Extras:
The extras for this release are fairly straightforward as we get the clean opening and closing sequences but also the inclusion of some of the original promos and commercials for the series and its releases.

Content: (please note that content portions of a review may contain spoilers)
Based on the manga of the same name, Alice & Zoroku is a twelve episode anime series that aired in the spring 2017 season. The manga, being released in North America by Seven Seas Entertainment, began in 2012 and has seven volumes out as of this writing. The anime from JC Staff is an interesting one as the first episode was a double-length one, basically making it a thirteen episode series, and it has a pretty good budget overall as I really like the look of the show and the world that it creates. It may have a lighter touch with colors such as pinks and the girlish elements of some of the leads but it has a solid real world design overall and firmly inhabits it in order to make the Wonderland side stand out all the more.

The premise for this series kind of reminded me of Elfen Lied in a way, albeit a cuter one but one with some real darkness to it as well. Within the bowels of a secret research facility we have an unknown place called Wonderland that exists. Sealed off and being researched, there are a small number of people that can tap into the power within it, the power being called Dreams of Alice. One of those people is a young girl who has only know Wonderland and is known as the Red Queen. She’s now escaped the facility in order to see the real world and ends up in Shinjuku where she, in her bright and outgoing way, comes across an old man named Zoroku. His interaction with her is spurred by the fact that she’s been looking at some food in containers for a few hours and the cashier asks him for a little help.

It’s a simple enough little introduction that alters both their lives as the Red Queen, who is better known as Sana in all of this, realizes that he’s a good and true person and sort of basically aligns herself with him. While there’s an element early on about Sana being out in the world that concerns the researchers and others, it turns into something that “allows” it to happen a little too easily and places a lot of trust into Zoroku with all of them. Zoroku’s your standard world-weary but wise to the world person who isn’t looking to getting into anything but does what’s right because it should be done, true Japanese style. Taking her into his home works well since he’s also involved with his own granddaughter, Sanae. Sanae’s parents died previously so there’s some appeal in having someone else under the roof to take care of and for Sanae to not feel quite so lonely.

Sana’s abilities through the Dreams of Alice basically allows her to kind of do anything but Zoroku’s presence is something that the researchers like since he is able to provide an authority figure she’ll listen to in tamping down what she does. It’s an interesting balance early on as he chides her for using her abilities foolishly (and publicly) and that disapproval really makes an impact on her. But it’s a teaching thing because he does want her to use her abilities when it makes sense to, which she has to use some critical thinking toward. That provides for a really good dynamic between the two as he gets to teach and reward her with praise for choosing right and she gets to grow well as a young woman, though her being human is something called into question a lot because of her relation to the Wonderland that’s explored later in the show.

The nature of the series is an interesting one as we see others that are connected to the Wonderland show up with the twins Asahi and Yonaga and there’s a range of others as well with abilities and those that work within the research side. It’s well-populated in a way that allows for some diverse characters and all but at the same time there’s a kind of simplicity here that leans a little into the dreamlike for me. At its core, it’s about Zoroku taking her in and seeing Sana become a part of family and understand ways to use and not use her abilities. But it also slow builds the background storyline with what Wonderland is up to, which really is a slow burn that doesn’t come together until the last few episodes with some of them trapped inside of it. That’s an interesting arc but a lot of what we get before it are smaller human drama moments. The ones with Zoroku are what works best for me with Sanae’s interactions close after that.

But something just didn’t click in the bigger picture thing. Some of it, I think, is simply that the cast feels too big and that it loses a strong narrative to work with. We get a mix of adults coming into it with their own intentions that combined with the early uncertainty about the research facility and what Wonderland is leaves it intriguing and interesting. But I don’t think it follows through well enough that it really cements the concepts and you become engaged in it. It also spends a lot of time with some of the supporting characters to breathe life into them but I found few of them all that interesting. While I wouldn’t want just a show about Sana and Zoroku, I found myself really wishing there was more of it. Or just more time with Zoroku himself and his life because there are some interesting things to kick around there with him.

In Summary:
Alice & Zoroku is an interesting series that has some neat ideas to it but I wonder if it comes together better in manga form. Some of it is just the structure of the series with how it presents everything. I’ll even admit that double-length opening episodes always feel weird to me in how it gets things started because they’re so rare that I’m not sure a lot of writers know how to structure them. For me, the core of the show with our title characters is what works the best but we don’t get anywhere near enough of it. Combine that with the Wonderland side and research project taking too long to really come together and a supporting round of characters that never quite gel and it doesn’t work as well as it should. There’s a lot to like with the concept and ideas at work here and I really liked both lead characters a lot as they were just fun to watch throughout, particularly since Alice does act like a little kid in the right kinds of ways. Funimation put together a good release here with an enjoyable looking package, a fun dub, and a clean and appealing looking visual design.

Features:
Japanese Dolby TrueHD 2.0 LAnguage, English Dolby TrueHD 5.1 Language, English subtitles, Promo Videos, Commercials, Textless Opening & Closing Songs, Trailers

Content Grade: B
Audio Grade: B+
Video Grade: A-
Packaging Grade: B
Menu Grade: B
Extras Grade: B-

Released By: Funimation
Release Date: July 17th, 2018
MSRP: $64.98
Running Time: 325 Minutes
Video Encoding: 1080p AVC
Aspect Ratio: 1.78:1 Widescreen

Review Equipment:
Sony KDL70R550A 70″ LED 1080P HDTV, Sony PlayStation3 Blu-ray player via HDMI set to 1080p, Onkyo TX-SR605 Receiver and Panasonic SB-TP20S Multi-Channel Speaker System With 100-Watt Subwoofer.

‘JoJo’s Bizarre Adventure: Golden Wind’ Anime Gets Guido Mista Promo

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© Lucly Land Communications / Shueisha · JoJo’s Bizarre Adventure GW Production Committee

The anime adaptation train for Jojo’s Bizarre Adventure series from Hirohiko Araki continues on as the fifth part, Vento Aureo or Golden Wind, is set for an October 5th, 2018 debut. With a key visual released recently, the official site has now dropped a new quick-hit teaser spot focusing on Kousuke Toriumi as Guido Mista. Yasuhiro Kimura is on board to direct with Hideya Takahashi while Naokatsu Tsuda serves as the chief director. Yasuko Kobayashi is handling the series composition with Takahiro Kishida on board for the character designs. David Productions is handling the animation production.

The cast for this segment includes:

  • Kensho Ono as Giorno Giovanna
  • Yūichi Nakamura as Bruno Bucciarati
  • Junya Enoki as Pannacotta Fugo
  • Daiki Yamashita as Narancia Ghirga
  • Kousuke Toriumi as Guido Mista
  • Junichi Suwabe as Leone Abbacchio

The original manga for this storyline ran for seventeen volumes with 155 chapters between 1995 and 1999 in Weekly Shounen Jump.

Check out the official site and Twitter.

Plot Concept: Naples, 2001. Giorno Giovanna is a small-time crook with one big dream—to become a “Gang-Star.” No ordinary thief, Giorno has a connection to the remarkable Joestar bloodline, and possesses a Stand named Gold Experience. His dream starts to become reality when he meets Bruno Buccellati, a mobster from the gang Passione and a fellow Stand user himself. Realizing that they share similar ideals, and both disagree with the gang’s harmful affairs, Giorno reveals his goal to Bruno: with Bruno’s help, he will reform Passione by overthrowing the boss.

As Giorno becomes a member of Passione, and is inducted into Bruno’s squad, he discovers that it is no simple gang; its numbers are teeming with Stand users. Now confronted by other squads of differing loyalties and unpredictable caliber, their goal to change the gang from the inside out will be a tough one. Taking on these adversaries, Giorno attempts to rise through the ranks and inch closer to the boss, a man who is shrouded in mystery.

Madman Schedules ‘Dragon Ball Z: Broly Movie Collection’ Anime DVD/BD Releases

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© Bird Studio / Shueisha / Toei Animation / © 1989 Toei Animation Co., LTD.

Madman Entertainment is getting in on some fun stuff in this franchise as they’ve now set separate DVD and Blu-ray editions of the Dragon Ball Z: Broly Movie Collection. The sets are scheduled for a December 5th, 2018 release where they’re both priced at $19.95 and come with the Japanese 1.0 language tracks and the English 5.1 language tracks – though the DVD also gets an English 2.0 language track as well.

Includes:
BROLY THE LEGENDARY SUPER SAIYAN
BIO BROLY
BROLY: SECOND COMING

Plot Concept:A Saiyan warrior has arrived on Earth. His name is Paragus and he seeks the rightful ruler of the Saiyans, Vegeta! Confessing his loyalty to his new king, Paragus pleads with the powerful warrior to vanquish a rampaging Super Saiyan who is threatening to destroy the entire galaxy!

However, the mysterious Paragus is not what he seems. What information does he have about Goku and Vegeta’s past? With Paragus’s volatile son Broly on the scene, the Saiyan power struggle reaches new levels of excitement and danger. Broly has his own agenda, and his target is the most powerful Saiyan in the Universe! But will it be Goku or Vegeta?!

New ‘Devidol’ Anime Series Set For Fall 2018 Season

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© Cochin Pa! Production Committee

Pachinko to anime isn’t exactly unheard of so having a new one arrive isn’t too much of a surprise. Island announced that it’s involved in a new TV series under the Devildol name. With planned fifteen-minute running times for episodes, it’s set to debut on October 4th, 2018. The series is directed by Sota Sugahara based on the scripts by Kazuyuki Osabe. Lat handled the character designs for it.

The Japanese cast includes Suzuko Mimori as Aira, Yuka Iguchi as Shima, Kana Hanazawa as Hana, and Ryo Fukawa as Rocket-sensei.

Check out the official site and Twitter.

Plot Concept: The story focuses on three demons who are living in the human world: Aira, Shima, and Hana. While they work hard and make friends at school, they pursue their dream of being an idol. However, because none of them know how to be an idol, they keep trying and straying from their goal. Guided by the kind but sometimes strict lecture of Rocket-sensei, they strive to become idols.

[Source: ANN]

‘Goblin Slayer’ Anime Premiere Scheduled

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© Kumo Kagyu / SB Creative

The anime adaptation of Kumo Kagyu’s property Goblin Slayer is closing in on its premiere as part of the fall 2018 season and a key detailed has arrived. The official site has updated to reveal an October 6th, 2018 premiere for the series on AT-X with it coming soon after on other standard platforms such as Tokyo MX and more. Crunchyroll previously confirmed that they will be streaming the series as part of their service with exact dates/times to come. Availability for it is decent as it’s open to viewers in the United States, Canada, South Africa, United Kingdom, Ireland, Scandinavia, Netherlands, Australia, New Zealand, and Latin America.

The series is directed by Takaharu Ozaki based on the series composition by Hideyuki Kurata. Takashi Nagayoshi is handling the character designs while White Fox is working the animation production.

The project is bringing the drama CD cast for it with:

  • Yuichiro Umehara as Goblin Slayer
  • Yui Ogura as Priestess
  • Nao Tōyama as High Elf Archer
  • Yuka Iguchi as Cow Girl
  • Maaya Uchida as Guild Girl
  • Yūichi Nakamura as Dwarf Shaman
  • Tomokazu Sugita as Lizard Priest
  • Yōko Hikasa as Witch
  • Yoshitsugu Matsuoka as Spearman

The light novels from Kumo Kagyu began in 2016 with seven volumes out as of March 2018. A manga adaptation by Kosuke Kurose began in 2016 as well with Yen Press releasing both of them in North America.

Check out the official site and Twitter.

Plot Concept: A young priestess has formed her first adventuring party, but almost immediately they find themselves in distress. It’s the Goblin Slayer who comes to their rescue–a man who’s dedicated his life to the extermination of all goblins, by any means necessary. And when rumors of his feats begin to circulate, there’s no telling who might come calling next…

‘Non Non Biyori: Vacation’ Anime Film Getting Wide Release

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© 2018 Atto / Kadokawa

The debut of the Non Non Biyori: Vacation anime feature film that covers the Okinawa trip from the manga had itself a limited release that got underway on August 25th, 2018 debut. The 25-theater run for it did well enough with its 46 million yen take in its first weekend that an additional 5o theaters have been added starting on September 29th, 2018.

The first two series were directed by Shinya Kawatsura based on the overall composition by Reiko Yoshida who also wrote the scripts alongside Fumihiko Shimo and Yuka Yamada. Mai Otsuka served as the character design and the project was animated at Silver Link.

Check out our thoughts on the Non Non Biyori and Non Non Biyori Repeat seasons as released by Sentai Filmworks.

The anime is based on the manga by Atto that began in 2009 under Media Factory, which has eleven volumes so far. Seven Seas Entertainment has the North American license for the manga.

Plot concept: Even though there are still only five students who attend the remote Asahigaoka Branch School, each one of the girls already has a lifetime of wonderful experiences in the carefree Japanese countryside. Some memories may belong to just one person, like Hotaru’s recollections of her first day in Asahigaoka before she’d had a chance to meet her new friends. Other memories bring an otherwise sleepy town to life for Komari, Natsumi, Renge, or even Suguru.

[Source: Crunchyroll]


‘SSSS.Gridman’ Anime Reveals Promo & Premiere Date

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© Tsuburaya Pro / TRIGGER / Tetsu Amemiya

Announced back in July 2017 as part of a trio of projects from studio Trigger, the collaboration with Tsuburaya Productions has been working through the SSSS.Gridman project for the fall season. The site got a refresh with a new promotional video that you can see below, as well as a key visual, and we also got a premiere date of October 6th, 2018. The series is set to be directed by Akira Amemiya with scripts by Keiichi Hasegawa. Masayuki Gotou is credited with the Gridman design.

Hikaru Midorikawa is on board to play Gridman and the newly announced cast includes:

  • Yūya Hirose as Yūta Hibiki
  • Hikaru Midorikawa as Gridman
  • Sōma Saitō as Shō Utsumi
  • Yume Miyamoto as Rokka Takarada
  • Reina Ueda as Akane Shinjō
  • Tetsu Inada as Alexis Kerib
  • Ryousuke Takahashi as Samurai Caribar
  • Katsuyuki Konishi as Max
  • Aoi Yūki as Borar
  • Masaya Matsukaze as Vitt
  • Kenichi Suzumura as Mysterious Boy
  • Mayumi Shintani as Rikka Mama
  • Akari Kitō as Hassu
  • Suzuko Mimori as Namiko

Maaya Uchida is performing the ending theme song for the series with “youthful beautiful” which will have its CD ship in mid-October.

Check out the official site and Twitter.

[Source: ANN]

New ‘As Miss Beelzebub Likes’ Anime Promo Reveals Premiere Date

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© matoba / SQUARE ENIX

Announced as in production in April, the anime adaptation of the As Miss Beelzebub Likes manga by matoba has brought out some of the last key pieces we need ahead of the premiere. The official site has dropped a new promotional video that shows off the opening theme song from the series while also queuing up a premiere date of October 10th, 2018. Minato Kazuto is directing the series with Yoriko Tomita handling the series composition and scripts. Etusko Sumimoto is on board for the character designs with LIDEN FILMS handling the animation production.

The Japanese cast includes Rikuya Yasuda as Murin, Saori Onishi as Beelzebub, Misaki Kuno as Belphegor, Satoshi Hino as Azazel, Ai Kakuma as Sargatanas, Chinatsu Akasaki as Eurynome, Aoi Yūki as Dantalion, Kazuyuki Okitsu as Molech, and Yoshitsugu Matsuoka as Astaroth.

Check out our review of the first volume of the manga.

Check out the official site and Twitter.

The property comes from manga creator Matoba and is currently serialized in Gangan Online and Shounen Gangan. It began back in 2015 and has seven volumes to its name as of April 2018. Matoba has been involved in five other projects previously such as Witch’s Heart and Hoshinoko!

Plot concept: Murin’s lands his dream job with the demon king he’s always held in awe, but when his tenure begins, it turns out the demon king isn’t quite what he expected…

Madman Schedules ‘Ghost in the Shell’ Anime DVD/BD Movie Releases

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©1995 / 2008 Shirow Masamune / Kodansha / Bandai Visual / Manga Entertainment

Madman Entertainment is looking to get a little more Ghost in the Shell into retailers ahead of the holidays as they have a trio of releases. First, the original film is set for separate DVD and Blu-ray releases priced at $29.95 and $34.95 respectively. They’ll be in bilingual form with the 5.1 language tracks for both of them and include the familiar extras with the Making of Ghost in the Shell, Theatrical Trailer, Sly & Robbie Music Video, and the Database.

In addition to that, there’s a DVD double-feature set that includes the first film (extras TBA) and the Ghost in the Shell 2: Innocence film priced at $34.95.

Property Concept: It found a voice… now it needs a body.

In a world caught in the grip of information overload, where artificial intelligence is more than the real thing and cyborg cops spend their lives surfing on an electronic sea of living data, only the Ghost – the indefinable element of human consciousness – exists to determine who is alive and who is purely a creation of the net.

Major Motoko Kusanagi is an elite officer in the Section 9 security force: a cybernetic agent so heavily modified that little more than her Ghost remains. Along with fellow cyborg Bateau and the mostly human Togusa, Kusanagi is set on the trail of a computer-criminal known as the Puppet Master, a data thief skilled enough to hack into the very minds of his victims. His human marionettes live out existences that are nothing more than computer generated fantasy, unwittingly committing their master’s crimes while the Ghost-hacker hides in the darkness.

But as Kusanagi digs deeper into the walls of secrecy surrounding the case, it appears that the Puppet Master has a special interest in her alone. And when the Ministry of Foreign Affairs, shadowy Section 6, enter the scene, Kusanagi becomes tangled in a web of plot and counterplot, and realizes the true identity of her invisible assailant lies at the center of a vast and lethal political conspiracy.

‘Tokyo Ghoul:re’ Second Anime Season Premiere Scheduled

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© Ishida Sui / Shueisha · Tokyo Ghoul: re Production Committee

The second season is coming for the Tokyo Ghoul:re anime adaptation in October and we’ve had some good promotion for it. What we haven’t had until now is a premiere date, which the official site has confirmed to be for October 9th, 2018 on Tokyo MX and other regional broadcasters. A new key visual was also released for the new material that you can see below.

This season was directed by Odahiro Watanabe with Chuji Mikasano handling the scripts and composition. The character designs this season were done by Atsuko Nakajima. Studio Pierrot and Pierrot Plus handled the animation production.

The Japanese cast includes Natsuki Hanae as Ken Kaneki/Haise Sasaki, Kaito Ishikawa as Kuki Urie, Yuuma Uchida as Ginshi Shirazu, Natsumi Fujiwara as Tooru Mitsuki, and Ayane Sakura as Saiko Yonebayashi, Yu Kobayashi as Kanae von Rosewald, and Mamoru Miyano as Shu Tsukiyama.

The original manga series from Sui Ishida had an adaptation back in 2014 before shifting gears to this incarnation that moved things forward.

Plot Concept: Two years have passed since the CCG’s raid on Anteiku. Although the atmosphere in Tokyo has changed drastically due to the increased influence of the CCG, ghouls continue to pose a problem as they have begun taking caution, especially the terrorist organization Aogiri Tree, who acknowledge the CCG’s growing threat to their existence.

The creation of a special team, known as the Quinx Squad, may provide the CCG with the push they need to exterminate Tokyo’s unwanted residents. As humans who have undergone surgery in order to make use of the special abilities of ghouls, they participate in operations to eradicate the dangerous creatures. The leader of this group, Haise Sasaki, is a half-ghoul, half-human who has been trained by famed special class investigator, Kishou Arima. However, there’s more to this young man than meets the eye, as unknown memories claw at his mind, slowly reminding him of the person he used to be.

HIDIVE Schedules ‘A Spirit of the Sun’ Anime Streaming

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Rise from the Ruins with “A Spirit of the Sun” on HIDIVE      

HOUSTON TX, September 10, 2018– HIDIVE announced today that it acquired the streaming rights to A Spirit of the Sun for subscribers in the USA and Canada. Produced by the award-winning studio Madhouse (No Game No LifeHunter x Hunter), the two-part OVA series will premiere on September 17, 2018 at 16:00 UTC with the latter half premiering on September 24, 2018 at 16:00 UTC with English subtitles and an English-language dub.

After the eruption of Mount Fuji and subsequent tsunamis and earthquakes, Japanese citizens are forced to start over as refugees in surrounding countries after China and the United States assume control of the broken country. Genichiro Ryu tries to navigate life amid the mounting tension between the citizens of two different countries 15 years after the disasters. Can he help resolve things peacefully or is conflict inevitable?

For more information, a full list of plan features, or to sign up for HIDIVE visit https://www.hidive.com

You can also learn more about HIDIVE at:

About HIDIVE

HIDIVE is a streaming service offering subscribers hit titles and a catalog spanning six decades, from the latest simulcasts imported directly from Japan to hidden gems from the golden age of anime. HIDIVE’s unmatched content discovery engine ensures there is always something fresh to watch. The service now features DUBCAST editions, early access local-language dubs of simulcasts directly produced by HIDIVE available as early as two weeks after the original Japanese broadcast. 

Since launching in 2017, the service has expanded from its browser-based platform to include mobile devices and set-top boxes. The HIDIVE service offers new simulcasts every season, an ever-growing collection of dubs, and exclusives. For more information, or to start a free trial, visit HIDIVE.com. HIDIVE and DUBCAST are trademarks of and © HIDIVE LLC

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