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First ‘Venom’ Teasers Debut

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Set for an October 5th, 2018 debut, Sony’s Venom film has been one of the more curious projects that’s come to fruition in bringing more Spider-Man properties to life without Spider-Man himself. And these teasers will only add to that as the title character itself isn’t actually seen in it. Some of that may have to do with the fact that it got the nod early last year and went into production in October 2017 for an October 5th, 2018 release, which for something that you figure will have a lot of special effects felt like a lot. What we do get here, however, is something that feels a bit darker and tenser than we see with most Marvel films and it feels like it could angle a bit more toward the necessary horror side.

The film stars Tom Hardy, Riz Ahmed, and Michelle Williams.

Scott Rosenberg and Jeff Pinkner on board for the script and Ruben Fleischer is on board to direct it. Fleischer did some TV worked as a producer for several years in the early 2000′s and made his feature film directorial debut with 2009′s Zombieland. He followed that up with 30 Minutes or Less and then 2013′s Gangster Squad and has been doing producer work since then and doing some TV directorial work.


ComiXology Sets New Digital Comics & Manga For February 8th, 2018

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Yamada-kun and the Seven Witches Volume 15

Thursday’s mix of titles continues to delight and this week is no exception. DC Comics has a new release with Scooby-Doo Team-Up that matches the pair with Superman. They also dig into the backlist with more old Batman books and More Fun Comics while also adding five more issues of Superman’s Pal, Jimmy Olsen.

Marvel Comics sticks to trades and they have just a single Masterworks book today while also bringing out trades for HulkQuasar, and The ‘Name as well as Wolverine & Black Cat: Claws.

Manga makes an appearance at the start of the month with Kodansha Comics bringing out three simulpubs with Attack on Titan and UQ Holder! as well as The Heroic Legend of Arslan. They also have a trade today with new Yamada-kun and the Seven Witches.

Thursday
DC Batman (1940-2011) 219
DC Batman (1940-2011) 245
DC More Fun Comics (1936-1947) 74-75
DC More Fun Comics (1936-1947) 76
DC More Fun Comics (1936-1947) 77
DC More Fun Comics (1936-1947) 78
DC Scooby-Doo Team-Up (2013-) 69 Buy now!
DC Showcase (1956-1978) 21
DC Superman’s Pal, Jimmy Olsen (1954-1974) 133
DC Superman’s Pal, Jimmy Olsen (1954-1974) 134
DC Superman’s Pal, Jimmy Olsen (1954-1974) 135
DC Superman’s Pal, Jimmy Olsen (1954-1974) 136
DC Superman’s Pal, Jimmy Olsen (1954-1974) 137
Kodansha Attack on Titan 102 Buy now!
Kodansha The Heroic Legend of Arslan 56 Buy now!
Kodansha UQ Holder! 145 Buy now!
Kodansha Yamada-kun and the Seven Witches Vol. 15 Buy now!
Marvel Atlas Era Tales To Astonish Masterworks Vol. 1
Marvel Hulk: Return Of The Monster
Marvel Quasar Classic Vol. 1
Marvel The ‘Nam Vol. 1
Marvel Wolverine & Black Cat: Claws

 

First ‘Mobile Suit Gundam AGE’ Anime DVD/BD Releases Scheduled

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Nozomi Entertainment is getting a bit more out there with the Gundam franchise and they’ve now scheduled the release of the first Mobile Suit Gundam AGE collection. The set, which will contain twenty-eight episodes, is set to land on May 1st, 2018 priced at $74.98 for the bilingual production. on Blu-ray and $59.98 on DVD. The DVD set is five discs and the Blu-ray set is four discs with the audio done up in stereo PCM. Extras for the release include the first two clean openings and closings, promos, and TV commercials.

Originally airing in 2011, the series was directed by Susumu Yamaguchi based on the composition by Akihiro Hino. Takuzo Nagano did the original character designs while Michinori Chiba adapted them for the screen.

Plot Concept: Three destinies will form history…

Hundreds of years have passed since the space colonies were settled and the space age began. The wars that were once fought for control of the Earth Sphere had ended, and it seemed that an era of peace had arrived. But this fleeting peace has now collapsed. In the year A.G. (Advanced Generation) 101, the space colony Angel is attacked and destroyed by a mysterious “UE (Unknown Enemy)” that suddenly appears. This disaster, which produces many casualties, is later known as “The Day Angel Fell.” The UE will continue to threaten the people of the Earth Sphere for many years to come.

Beelezbub Episode #06 Anime Review

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© 田村隆平 / 集英社・べるぜバブ製作委員会 20

A demon lord baby is certainly a problem child, but him and his toys? Oh boy…

What They Say:
A – Hilda brought back a bunch of toys from the Demon World for Baby Beel. When Oga and Hilda were assemble one, a horrible accident occurs! B – The Zebul Spell expands when one does evil. So won’t it contract if you act like an angel? …thinks Oga, who uses a Play Doctor toy with Beel as the doctor to try and heal patients. It’s time to play Demon World Doctor!

The Review:
Content: (please note that content portions of a review may contain spoilers)
Oga’s life is one that is definitely full of challenges and some of it comes from just Hilda herself. While he tries to have a little fun on his own video gaming, she tries to make him see what his real job is by smashing the hell out of it. That ticks him off but gets him to refocus on things when some toys and items from the demon world show up for them to use. The pair build what they at first think is a playpen of some sort but actually turns out to be a cage built for capturing magical beasts. Unfortunately, the pair find themselves trapped in it while Beel is sleeping outside of it and it requires Beel to use the key blocks to unlock it so they can get out. Naturally, the cage when on like it is keeps all sounds from inside getting out, so Beel sleeps through a lot of it. So there’s a lot of miming what he needs to do when he wakes up.

Beel is positively priceless during this as he rolls around and plays while completely screwing with Oga and Hilda about what needs to be done. His little demonic temper is great as he can’t figure out how to get a round peg into a triangle slot. Especially after he wants to put them under the bed at first. Everything escalates really quickly here which is a welcome change from it being the sole focus for much of the episode and it even impresses Hilda when she realizes just how strong Oga is becoming in using Beel’s power. Something simple like this, and relatively short as this part of it clocks in at just around six minutes, is exactly the kind of light and fun material the show needs to mix in at times without it having any larger impact.

The second part of the episode does deal with more of Beels’ toys though as he ends up opening a chest that contains a play-doctor gimmick. It’s so involved that it causes both Oga and Furuichi to be changed into (somewhat) sexy nurses that have to help Doctor Beel heal people. Oga actually has an interesting idea here in that if he helps people, it’ll reduce the tattoo that’s growing on his arm from when he hurts people. Of course, it won’t go right in the slightest as everything seems to cause more problems. The various toys included in the set that Beel gets to use border on obscene at times, from a unicorn syringe to an ass-mask that just makes you cringe like Oga does over it. With a group of punks at the school wanting to take Oga down a few notches and him in this form, it invariably leads to more people getting in trouble and Oga coming across as even scarier.

In Summary:
Beelzebub again hits another solid episode that’s just a whole lot of fun. While I like the episodes that involve largely Oga getting all pissed off and angry as he deals with the punks in the school, there’s a lot of fun to be had when some of the demonic elements come in as well. With Beel not being kidnapped or threatened this time around, it’s actually fun to watch them work together in the second half as doctor and nurse as well as the way they’re so reliant on him to get them out of the cage in the first half. Beel really is adorable here, whether rolling around in circles on the floor naked or all dressed up in his doctor’s outfit looking serious. The guys less so in their nurses’ outfit, but it’s all good fun overall that left me grinning throughout.

Grade: B+

Streamed By: Crunchyroll

‘Aikatsu Friends!’ Anime Project Presentation Streamed

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© BNP / Bandai / Dentsu / TV Tokyo

The third series for the Aikatsu franchise is gearing up for an April 2018 debut and it was recently revealed that it’ll be called Aikatsu Friends! when it lands alongside the game. To highlight the project a bit more, the official channel has put the nearly thirty-minute presentation online that shows off a bit mroe animation and runs through the staff and creative on it. Naturally, it’s not subtitled but if you’re looking to get a taste of who is involved in it, it’s definitely fun to see how these sorts of things go. Tatsuya Igarashi on board to direct based on the series composition by Yuuko Kakihara. Satomi Watanabe is handling character design and BN Pictures is handling the animation production.

The Japanese cast includes:

  • Akane Matsunaga as Aine Yūki
  • Ibuki Kido as Mio Minato
  • Karen Miyama as Maika Chōno
  • Yui Ninomiya as Ema Hinata
  • Azusa Tadokoro as Karen Kamishiro
  • Ayaka Ohashi as Mirai Asuka
  • Sumire Morohoshi as Koko

The current series is directed by Teruo Satou based on the series composition by Yuuko Kakihara. Yukiko Aikyou serves as the character designer and it’s produced by Bandai Namco Pictures. The main cast includes Miyu Tomita, Ayaka Asai and Minami Tsuda.

The original series has been ongoing since 2012 with almost 150 episodes so far while the first theatrical feature landed from Sunrise back in December 2014.

Plot Concept: The series features a new protagonist named Aine Yūki, who is good at making friends, and is enrolled in Star Harmony Academy’s general education track. She befriends Mio Minato, the school’s top idol, and becomes an idol herself.

Gundam UC Complete Collection Blu-ray Anime Review

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Adapting the novel that delivered fantastic Universal Century thrills, this OVA series is exactly what I was looking for.

What They Say:
Universal Century 0096. Three years after the last conflict between Neo Zeon and the Earth Federation Forces, the tentative peace of the Earth Sphere is about to be shattered again. Cardeas Vist, the head of the powerful Vist Foundation, has decided to hand over “Laplace’s Box,” the secret of the Foundation’s prosperity, to the supposed enemy, Neo Zeon. Banagher Links, a student at the space colony Industrial 7, rescues a mysterious girl who calls herself Audrey Burne. Audrey is seeking to prevent a war, but it seems she has come too late. As Banagher’s home colony is devastated by the attacks of the enemy mobile suit Kshatriya, he finds his strange destiny and is forced to fight in the formidable weapon system known as the Unicorn Gundam.

Audio:
Gundam Unicorn does it right out of the gate by providing a great bilingual presentation with both tracks in 5.1 in uncompressed form as well as stereo mixes for both. The show makes great use of its audio presentation immerse you into the feature with a lot of directionality going on in key sequences but also some exceptionally well done work with the forward soundstage. The placement and sense of depth is very solid here where it makes the whole thing even more alive than you’d expect. The series definitely has areas where it’s bigger than others, and the last episode in particular is a barrage of sound with all of the action, each installment conveys itself well. The dialogue is well placed as needed and some of the creative moments hit the right notes while the action has some solid bass to it to give it all the impact it needs. It’s definitely one of the stronger Gundam properties in this regard and both mixes are clean and clear throughout.

Video:
Originally released in 2010 through 2014, the transfer for this OVA is presented in its original aspect ratio of 1.78:1 in 1080 using the AVC codec. The seven episodes are spread across four discs with two episodes per disc while the seventh, clocking in at 90 minutes as opposed to the 60 minutes of the others, gets the fourth disc. The show is a marquee title to be sure, especially considering when it was first put into production before the UC timeline started getting more attention again, and it’s a fascinatingly beautiful show that is lush, detailed and amazingly vibrant. Some releases deserve the hyperbole when it comes to how they look and Gundam Unicorn is definitely one of them as it’s pure showcase material. The fluidity of the animation in general is great but goes to a whole other level during the active action sequences, the color design is fantastic and comes across with a rich palette that’s solid throughout, and the details in the background and parts of the character designs is just strong. It’s a beautiful release through and through and the cost of it is fully visible through this beautiful encoding

Packaging:
The packaging for this release comes in a slightly oversized Blu-ray case that holds the four discs across the hinges inside. The front cover uses a good visual that has Banagher front and center with the women around him while the mobile suits are along the top along with the ostensible villain of the series. The logo is kept along the bottom in its traditional Japanese design that looks nice and allows it to work as both UC and Unicorn. It’s a busy cover overall but it works well to highlight the key cast and the mobile suite side. The back cover goes for a streamlined approach with a good bit of empty space as we get a summary of the show’s premise that covers the basic and a breakdown of the extras. Episodes are listed by number and title and there are a couple of tiny shots included. What we do get along the bottom is a good larger shot of the titular mobile suit in full on mode with the red aspects standing out and that gives it a nice sense of power. The technical grid covers the audio and video side cleanly and accurately so you know what you’re getting into. No show related inserts are included nor is there a reversible cover.

Menu:
The menus for this release are pretty Japanese as everything is laid out in the top menu with no real submenus to be had. The left side features some of the key visual work with each volume while listing which disc there is while the right brings us language selection (subtitles are not choosable) and episode selection before a large block where all the extras can be navigated. It keeps things simple to be sure even if it is busy with everything there but those that deal with Japanese releases will find this fairly familiar. Everything moves and loads quickly making it easily accessible and problem free.

Extras:
What a difference from the original Japanese release that put most of its extras through the BD-Live feature that’s pretty much dormant these days. This release has a lot with each disc where the promos, character pieces, and other trailers and promotion for each episode fill things up. There are recaps along the way that are appropriately placed as well and there’s a good number of these kinds of extras in general, though they’re small and not exactly integral, but fun to check out to see how they were promoted.

Content: (please note that content portions of a review may contain spoilers)
Mobile Suit Gundam Unicorn was originally planned as a six-episode OVA series based on the ten volume light novel series by Harutoshi Fukui before it expanded to a seventh one that was almost a double-length episode. The show as it came out beginning in 2010 was done as simultaneous worldwide releases with a multilingual approach.and obviously high prices to ensure Japanese pricing didn’t lose out on it. It was a fascinating thing that worked well for the most part but had fans having to deal with the reality of a lengthy project as it took five years for the seven episodes come out. Usually that’s not something you see since OVAs in general are a lost art/product these days. I had seen the first installment when it came out but it was too pricey for my tastes and knowing the length of time involved I wouldn’t get as much enjoyment out of it. So I waited patiently for this kind of set to be produced and sink my teeth into.

The original Gundam series with its One Year War storyline taking place in UC 79 was a big event in the anime world that led to a lot of changes with mecha series. It was followed up with a number of other shows in the timeline, such as 0080, 0083, the Zeta Gundam series and the theatrical movies of Char’s Counterattack and Gundam F-91. Add in the CG show done a few years ago that played in the One Year War time period and there’s a lot of very good material done for this while still having an immense amount of potential still open for other writers and creators. While Sunrise has focused a lot on essentially rebooting the franchise every couple of years with a new series to key in to current trends, Gundam Unicorn is made more for fans of the original work as it plays not only to that timeline but also the character designs and even the mecha designs. Everything here feels like an organic progression of the previous works.

Taking place in UC 0096, Gundam Unicorn first flashes us back to the end of the A.D. time period as the Universal Century is about to begin under a united world. The future is past for those who have watched the previous incarnations and we can understand how the Earth Federation didn’t carry through on their promise as well as the issues surrounding the Spacenoids who wanted independence from Earth and its grip. The events of the previous series are given some lip service, important mentions here and there, but it’s largely relegated to the history books. The kids that dominate this show have little connection to the One Year War. As an instructor at Anaheim Electronics Industrial College points out, that war started and finished a year before they were born. It has an influence on their lives but it doesn’t dominate it. It’s simply something that happened. But for the adults, events from then are still very much in play and various factions and actors are working to see that their beliefs and plans are followed through on. Thankfully, we don’t really see anyone from the previous titles though there are one or two really neat little mentions of important characters.

While Gundam Unicorn takes place in 0096, an event from 0001 is key here as we see the destruction of a space station and the survival of a man involved with it who is now still alive that has dealings with something called the Laplace Box. This mysterious Box, which may not even be a box, is being transferred to a group called the Sleeves that has plans for it that could lead to war. The current guardians of the Laplace Box is the Vist family which operates the Vist Foundation that operates in secret on one of the colonies. The mansion is in fact quite fascinating as it’s hidden at the tail end of a colony where nobody would normally see it. It’s in here that the head of the Vist family orchestrates his plans with a new mobile suit called the Gundam Unicorn, a new kind of Gundam that seems incredibly powerful and agile. The head of the family, Cardeas Vist, has an interesting meeting not long into this episode that changes his plans for the future.

With the Sleeves coming to the colony to gain the Laplace Box, there are those among them that believe that such an item should not come into their possession. For Gundam Unicorn, this is a young woman known as Audrey Burne who has come to try and dissuade Vist from allowing the Box to fall into the Sleeves hands. Her attempt doesn’t go well as she tries to sneak through the colony and she ends up in a near zero-g death spiral where she’s rescued by high school student Banagher Links, a very talented young man who can use a mini mobile suit with great skill. It’s quickly apparent that Banagher is a NewType, though the term isn’t what it used to be as more people have believed that people called that are merely ace pilots, so it’s lost its mystique as being an evolutionary step. Banagher becomes fascinated with Audrey, much to the dismay of his friend Micott who has a crush on him, and he finds himself now willing to do anything (along with his Haro replica) to help Audrey. His resolve is even stronger after he sees the people that are after Audrey that give off a creepy feeling to him.

Unsurprisingly, with this being the first hour of what’s essentially a seven and a half hour story, Gundam Unicorn is all about the setup. There’s a lot of material here that’s working to explain the modern world and its foundations while laying out the ideas as to why people will be fighting to change it in order to either fix what went wrong or to protect what they believe is right. Some things are explained well enough while others aren’t given all that much detail since the assumption is that this is aimed more towards existing fans rather than acquiring new ones. Watching this with someone who had seen no Gundam at all before, it was interesting to see that a lot of it made sense but other things would have been nice to have been expanded on, such as the colonies and some of the political make-up. Much of what we get here though is a rough introduction of the sides that are going to be involved, but even there it’s kind of weak as we’re thrown into this as an ongoing story that we’ve stepped into.

As the series progresses, familiar plot points are hit, such as the discovery that Banagher is the pilot of the stolen unit, which doesn’t go over well either. While he may have a few tricks up his sleeve to try and assuage them considering he saved them and there’s some lineage there he’s trying to use, the reality is that he’s (another) kid that lucked into a mobile suit and that doesn’t typically go over well. And it doesn’t hurt that the unit is also registered solely to him, not that it’ll matter much to the really strict military types who don’t care to deal with him seriously since he’s a young boy and a thief. Banagher has gotten himself into a rather big situation on a few levels because of it all and having it go from one attack to another has not given him any time to really figure things out, nor has anyone offered up any useful information to try and smooth it all out.

Gundam Unicorn does tease really well early on with the apparent second coming of Char under the guise of Full Frontal. Gundam has a long history of bad English based names and this one doesn’t help ease that in the slightest. On the plus side, through Frontal and Banagher, we get one truly beautiful action scene as the two fight it out in space with their respective mobile suits. There is a really great sense of intensity and beauty to it where you feel the impact unlike in any other series before this. The visuals and the audio presentation really drives home the power of these machines and the people in them, especially as the music rises with each new aspect of the battle. Highlighting these men that are the next generation of warriors, the way they handle things instinctively and in tune with their mobile suits, has reached a new level with Gundam Unicorn.

While the action plays out well, a fair bit of politics and social issues are thrown in as well. The more public revelation, at least among the crew of the ship, that Audrey is Mineva is surprising to most and hard to swallow for someone like Banagher. Banagher does hold his own well though when he goes up against Full frontal in person, giving as good as he gets in the verbal sparring the two do and not being intimidated by the man in the mask in front of him. So much of what’s happened has been confusing to Banagher with so many gaps in his knowledge that he’s more aggressive over it, reaching out for what he can with what he knows in an effort to figure out more but also to cement his own position as he knows it. It’s an interesting situation to be in, being so assured of his position but not entirely sure that it’s what will achieve what he believes since he’s unwise in the ways of how life works for adults.

There’s some interesting layers that do start to get exposed here as it covers some of what has gone on within the system in the last few years. What’s really nice is that we see more of how people live this time around, something I don’t think we’ve really seen since the 0080 OVA series. It’s not so much a look at various families or someone in particular, but Banagher finds himself out there in the colony and experiences things we don’t get to see, with the way there are run down areas and a sense of oppression and decline. Much of what we’ve seen of the colonies in the past has been largely utopian to some degree, or at least that’s the presented image, so getting something dirtier and more lived in here works well to make it even more accessible and realistic.

Once past the main setup, the OVA series does largely follow a familiar Gundam pattern. We get a couple of story threads that are focused on different areas, with Riddhe and Mineva together on Earth and touching on the various political aspects while Banagher gets his experience in space a while longer in learning the ins and outs of the military side. I do like that Riddhe’s story has him paired with Bright Noa for a while as he is one of the best calming characters in the franchise that sticks to a moral code that makes some sense. There’s a lot of interesting little pieces to these subplots that play out but mostly they work to bring the main characters into a greater understanding of how things work throughout the system in terms of people and politics. Riddhe needs it simply because of his parentage that has given him some privilege while Banagher needs it in order to be able to know more of what exists out there and the range of people than he did before with a fairly provincial life.

With the series originally set at six installments, I’m definitely glad that at the halfway mark of the run that they realized they needed a seventh episode. That installment helps to keep the prior episodes from really having to rush in problematic ways with those storylines and seeding the bigger picture with all the politics and social issues that have existed. Clocking in at just under ninety minutes, it’s a glorious episode for fans of the action and mecha side of it because it does deliver some stunningly beautiful sequences, including what feels like the first third of it alone being an action sequence. The storyline naturally brings the various sides together with the end representation really being Riddhe and Banagher but with key players taking on larger roles with Mineva as the one who must decide how things progress and the Vist side of it as a nod to how it all got here. While we do get some time with the Full Frontal side here that I’m still struggling to figure out if I really like it or not with the cyber newtypes and the combination of past elements that really needed to just be let lie with Char and Lalah, the focus on what we get from Vist about the past, the truth of Laplace’s Box and even the nods prior to it with how Full Frontal wanted to build their Co-Prosperity Sphere to force Earth into a new position are all intriguing. There’s so much ink spilled in novels over the decades about what mankind’s entry into space will entail with the fate of Earth itself that it’s endlessly rich. This storyline provides some intriguing context into it all, though in the end, it doesn’t truly feel like it gives us something really definitive with how it can move forward.

In Summary:
Gundam Unicorn works exceptionally well as a whole and is definitely the way it should be watched, though it does feel pretty weighty in each episode with what it actually accomplishes across the seven installments. The UC0096 time period is one that definitely offers up some neat things, though I have a hard time connecting it to the next installments with F91 and the like. What this really left me wanting is a UC0001 series where we see the events at the start of this series and explore the foundation of everything as a strong political thriller/drama. This release isn’t that but it touches on a lot of it and it is wonderfully put together. With visuals and animation that are at the top of its game and encoding and presentation to match, this is my favorite Gundam with how it looks and sounds – and it’s pretty close to the top with the story as well. The franchise definitely needs more works like this.

Features:
Japanese 2.0 PCM Language, Japanese 5.1 PCM Language, English 2.0 PCM Language, English 5.1 PCM Language, The “Story So Far”, Episode EX “One Hundred Years of Solitude”, Episode Recaps, Episode 5 Ending with Lyrics, Trailers, Promotional Videos, Commercials, MS & Character Highlights, Episode 3 Textless Ending.

Content Grade: A-
Audio Grade: A-
Video Grade: A+
Packaging Grade: B+
Menu Grade: B
Extras Grade: B

Released By: Sunrise/Nozomi
Release Date: March 6th, 2018
MSRP: $64.99
Running Time: 450 Minutes
Video Encoding: 1080p AVC
Aspect Ratio: 1.78:1 Widescreen

Review Equipment:
Sony KDL70R550A 70″ LED 1080P HDTV, Sony PlayStation3 Blu-ray player via HDMI set to 1080p, Onkyo TX-SR605 Receiver and Panasonic SB-TP20S Multi-Channel Speaker System With 100-Watt Subwoofer.



‘ReLIFE’ Manga Ending

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The ReLIFE manga from Yayoiso was already on track to end this year but now things have been formalized for it. The series began in 2013 in the Comico app and has seven volumes so far and it will wrap up with the March 16th, 2018 installment of the 22nd chapter – just a few days before the four-episode OVA finale arrives in Japan and through streaming distribution.

Animated at TMS Entertainment, Tomo Kosaka directed the anime TV series based on the scripts from Kazuho Hyodo and Michiko Yokote. Character designs were done by Junko Yamanaka, whose other recent adaptations are featured in Servamp.

The series cast includes Kensho Ono as Arata Kaizaki, Ai Kayano as Chizuru Hishiro, Ryouhei Kimura as Ryou Yoake, Haruka Tomatsu as Rena Kariu, Yuuma Uchida as Kazutomi Ooga and Reina Ueda as An Onoya.

Plot concept: Arata Kaizaki (27) quit the job he landed after graduation in only three months. His life did not go well after that. Now his parents are threatening to stop sending money, and want him to come back to the country. He has no friend or girlfriend to share his troubles with…as he hits rock bottom a strange man named Ryo Yoake appears. Yoake invites Kaizaki to join a societal rehabilitation program for NEETs called ReLife. This program uses a mysterious drug to make him look younger, and sends him back to high school for a year…

[Source: ANN]

Toku Adds ‘Ai no Kusabi’ Anime Series On Amazon Streaming Channel

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© Rieko Yoshihara, Katsumi Michihara

Media Blasters put a lot into their Ai no Kusabi Blu-ray release that they worked on last year and they’re making sure people are getting a chance to see it so they realize they want to own it. The Toku streaming service has a channel on Amazon Video and they’ve added the OVA project to it so it can be watched in its original Japanese language with English subtitles. The four-episode OVA series is bilingual with its home video release that came out late last year.

Check out our review of the previous DVD release.

The series was directed by Katsuhito Akiyama based on the manga by Rieko Yoshihara with AIC animating it. Yoshihara worked on the scripts and Naoyuki Onda worked on the character designs.

Plot Concept: In a future where social class is determined by the color of one’s hair, Iason sits at the top of the pecking order as a “blondie,” favored by everyone. He is given latitude in his daily life but draws unwanted attention when he chooses to take a “mongrel” named Riki as his pet. Society has no taboos against staking claim to other humans, but the length and nature of this relationship bring unexpected consequences.




Five More Board The ‘Megalobox’ Anime

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© Asami Takamori, Chibutoritsu / Kodansha / Megalo Box Project

We’ve had a few bits here and there since it was announced last spring that the Ashita no Joe property had a new project in the works for the spring 2018 season with Megalobox. With nods to new manga coming up and the first promotional video recently, now the second piece of casting has arrived.

That’s come in the form of a short promotional spot, almost a quickie TV spot really, that focuses on the character of Gansaku Nanbu with the confirmation and sampling of Shiro Saito portraying him, Nanako Mori as Yukiko Shirato, Michiyo Murase as Sachio, and Hiroyuki Kinoshita as Fujimaki. Check them out below!

We previously learned that Yoshimasa Hosoya is on board to play Junk Dog.

The new project is directed by You Moriyama with scripts coming from Katsuhiko Manabe and Kensaku Kojima. It’s being animated at TMS Entertainment.

Plot Concept: A man called JD (Junk Dog) participates in fixed boxing matches in an underground ring in order to live. Today, he enters the ring again, but he encounters a certain person. JD wants to take on a challenge that risks everything.

Tatsuki Fujimoto’s ‘Fire Punch’ Manga Previewed

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Fire Punch Volume 1

Viz Media started up a new series last month with the January 16th, 2018 debut of the Fire Punch manga series from Tatsuki Fujimoto. To try and draw a few more people into it, they’ve now put out a brief manga trailer for it that showcases its designs and the kind of intensity that the book wants to deliver with its artwork and concepts. The series began in Japan back in 2016 in Shounen Jump+ and has eight volumes released so far.

Read a free preview of the book here.

Plot Concept: In the not-too-distant past, the Ice Witch blanketed the world in snow, starvation, and madness, leading the inhabitants to seek their salvation in fire. With that, an unusual destiny unfolds for two young orphans, Agni and Luna, blessed with the ability to regenerate. But will this ability prove to be more of a curse than a blessing?


‘Beatless’ Sets Two Recap Episodes

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With anime production going right up to the broadcast line more than a lot of production companies (and broadcasters!) care for, it’s never a good sign when a new show gets two recap episodes midway through its run. Beatless has revealed that they’ll be doing “intermission” recaps with the February 16th and March 23rd episodes of the series. The fifth episode this week is marked as the “first chapter” of the series in order to kind of smooth things over a bit. One might be overly generous and suggest that they know that the Winter Olympics are going to take a bite out of ratings, but most other series aren’t doing anything similar nor are they just going off the air for the duration either.

The project has set Seiji Mizushima as the director working from the series composition by Tatsuya Takahashi and Gou Zappa. Hiroko Yaguchi is on board as the character designer with Diomedea handling the animation. The original novel was serialized back in the summer of 2011 to summer 2012 before being compiled in October 2012.

The Japanese  cast includes Nao Tōyama as Lacia, Misako Tomioka as Kouka, Hiromi Igarashi as Snowdrop, Shino Shimoji as Saturnus, Sora Amamiya as Methode, Takuto Yoshinaga as Arato Endo, Kaito Ishikawa as Ryo Kaidai, Daiki Yamashita as Kengo Suguri, Saki Ono as Yuka Endo, Uki Satake as Shiori Kaidai, Yūki Wakai as Olga Suguri, and Emiri Suyama as Erika Burrows.

Plot Concept: With the introduction of an ultra-advanced AI that surpasses human intelligence, beings that mankind is yet to fully comprehend made from materials far too advanced for human technology begin coming into being. Lacia, an hIE equipped with a black coffin-shaped device, is one of these. In boy-meets-girl fashion, 17-year-old Arato Endo has a fateful encounter with the artificial Lacia. For what purpose were these artificial beings created? Amid questions regarding the coexistence of these artificial beings and humans, a 17-year-old boy makes a decision…

[Source: ANN]

‘Mazinger Z: Infinity’ Gets French & Italian Anime DVD/BD Releases Scheduled

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© Go Nagai / DynamicPlanning MZ Film Partners

It’s only been a few weeks since the Japanese premiere of Mazinger Z: Infinity and we’re closing in the North American premiere next week from Viz Media. But coming as little surprise, French and Italian distributors AB Video and Warner Italy are already setting up the home video release there – before the Japanese release has been announced. With the popularity of Mazinger Z there, this isn’t too much of a surprise. What helps is that they had the theatrical release ahead of the Japanese side, so there’s some reasoning behind it in addition to being a different region.

The breakdown is set with:

France April 4 2018:

Italy April 11 2018:

The project has Junji Shimizu directing it based on the screenplay by Takahiro Ozawa. With Toei Animation handling the production, Hiroya Iijima is on board as the character designer.

The Japanese cast includes Showtaro Morikubo as Kouji Kabuto, Ai Kayano as Sayaka Yumi., Kouzou Shioya as Dr. Sewashi Unshou, Ishizuka as Dr. Hell, Sumire Uesaka as Lisa, Natsuki Hanae as Shiro Kabuto, Kappei Yamaguchi as Mucha, Wataru Takagi as Boss, Masami Kikuchi as Nuke, Junpei Morita as Prime Minister Yumi, and Bin Shimada as Dr. Nossori.

Based on the original work by Go Nagai, there was a 92-episode TV series that began in 1972 that was picked up by Discotek Media. There have been several other TV and OVA series over the years and movies as well.

Plot Concept: It has been 10 years since then. Humanity awaits a new fate. Once humanity was on the verge of destruction at the hands of the evil scientist Dr. Hell and his underground empire. Kōji Kabuto, his Mazinger Z super robot, and his friends at the photon power laboratory put an end to Dr. Hell’s evil ambitions and returned peace to the world.

It has been 10 years since then. Kōji has followed his father and grandfather and now walks the path of a scientist. He encounters a mysterious life form buried in a giant structure buried deep below Mt. Fuji. A new encounter, a new threat, and a new fate await humanity. And Kōji, who was once a hero, makes a decision for the future.

It can be a god or a demon. Once again the future is entrusted to Mazinger Z.

‘Tsuredure Children’ Manga Ending Mapped Out

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Tsuredure Children Volume 1

The manga series Tsuredure Children from Toshiya Wakabayashi has everything set for its finale with everything mapped out now. The four-panel series has just under twenty chapters left with Wakabayashi planning for it to wrap up in June or July of 2018. The series will finish out with twelve volumes total with the final volume to be scheduled.

The series is an interesting one as it started as a webmanga back in 2012 and then began a magazine run in 2014 with some redrawn scenes.

The anime adaptation was directed by Hiraku Kaneko based on the scripts by Tatsuhiko Urahata. Etsuko Sumimoto worked on the character designs with animation produced by Studio Gokumi.

The Japanese cast includes Kaito Ishikawa as Takurō Sugawara, Inori Minase as Chizuru Takano, Tomoaki Maeno as Takeshi Gōda, Yui Ogura as Ayaka Kamine, Kensho Ono as Masafumi Akagi, and Ayane Sakura as Ryōko Kaji.

Plot Concept: These short stories range from a boy, crippled by his absolute lack of confidence in himself, cannot even accept the fact that the girl of his dreams actually asked him out on a date, to the near-psychotic girl that pours her own blood into her homemade chocolate in order to win his heart.

[Source: ANN]

 

‘Blame!’ Anime Feature Home Video Releases Getting Scheduled For Four Countries

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With the Japanese release having gotten some sweet figures with it, the international rollout for the Blame! feature on home video is beginning. Manga Entertainment UK has confirmed their pickup for it while stating that they’ll be bringing it out in the UK and Ireland and working with Dybex to bring it out in France and Benelux. The UK and Ireland releases will be happening on May 28th, 2018 while the French and Benelux editions will come later.

While the film has gotten its Netflix debut previously, it’s also already scheduled for at least one European release that we know of with the February 23rd, 2018 German debut through Universum on separate DVD and Blu-ray editions that Snorlax has noted.

Hiroyuki Seshita directed the film at Polygon Pictures while original creator Tsutomu Nihei is on board to work on the character designs and the script itself as a creative consultant.

The Japanese cast includes Takahiro Sakurai as Killy, Kana Hanazawa as Cibo, Sora Amamiya as Zuru, Kazuhiro Yamaji as Pop, Mamoru Miyano as Sutezo, Aya Suzaki as Tae, Nobunaga Shimazaki as Fusata, Yuki Kaji as Atsuji and Aki Toyosaki as The Authority.

The original manga ran between 1998 and 2003 for a total of ten volumes, which TOKYOPOP released. There were a few short incarnations after that which have not been picked up, and a six episode ONA from 2003 that Media Blasters licensed and released previously.

Plot concept: In the distant technological future, civilization has reached its ultimate Net-based form. An “infection” in the past caused the automated systems to spiral out of order, resulting in a multi-leveled city structure that replicates itself infinitely in all directions. Now humanity has lost access to the city’s controls, and is hunted down and purged by the defense system known as the Safeguard. In a tiny corner of the city, a little enclave known as the Electro-Fishers is facing eventual extinction, trapped between the threat of the Safeguard and dwindling food supplies. A girl named Zuru goes on a journey to find food for her village, only to inadvertently cause doom when an observation tower senses her and summons a Safeguard pack to eliminate the threat. With her companions dead and all escape routes blocked, the only thing that can save her now is the sudden arrival of Killy the Wanderer, on his quest for the Net Terminal Genes, the key to restoring order to the world.

[Source: WTK]

They Were Eleven Anime DVD Review

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One of the true unknown gems of the 80’s that still holds up well.

What They Say
In the distant future, ten space cadets embark on a survival test that sets them adrift in a derelict spacecraft from which they must find their way home. Terror strikes when the cadets discover eleven of themselves aboard the ship. Who is the imposter, and what is his (or her) purpose? Paranoia runs rampant and lives hang in the balance as the cadets scrutinize one another for any wrong move. Can they identify the spy before it’s too late?

The Review:
Audio: 
The audio presentation for this release brings us the original Japanese language track in stereo along with the English mix, both of which are encoded at 192kbps. The mix is much like I remember; a decent sound stereo mix that has some minor directionality to it but not much of it is really noticeable. Considering its age and the intent of the project it’s not one that’s going to really work any big moments but it handles the dialogue as best as it can. The important part is that it does come through clean and clear throughout and we didn’t have any problems with dropouts or distortions during regular playback.

Video: 
Originally released back in 1986, the movie is presented in its original full frame format. The materials for this have held up well over time, though there are some noticeable streaks across the screen during the last fifteen minutes of the film in a few places, but nothing that lasts for more than a split second. With its age, some of the large blocks of color, such as blue monitors or green walls, tend to look a bit grainy and like they’re breaking up, but it’s held together fairly well. This isn’t going to be impressive by anything out today, but it’s a solid piece all told.

Packaging: 
This release was a bit of a welcome change as it didn’t use the same art they had for both the VHS and Laserdisc releases yeaInsteadInsteaed, the cover this time around brings in more various elements from the film, such as the ship itself, the dangerous vines and a mix of shots from the film that show all of the characters. Since it’s mostly coming from what little artwork was given to them from this old license, it’s not the slickest looking piece since the original materials don’t look to be of the best quality, but it’s serviceable for the show. The back cover utilizes the previous releases design with the center part providing the brief summary of the premise of the show. The discs features are minimal but clearly listed along the bottom. The reverse side of the cover has a black and white shot from one of the scenes from the show with production credits on one side and chapter and bilingual cast listings on the other.

Menu: ree
The main menu is nicely laid out by using the back cover artwork without the characters and using the center section to scroll clips from the show through while animating all the lights along the walls, all set to a brief piece of instrumental music. The menu selections are pretty straightforward and simple with good access times and no transitional animations.

Extras: 
The only extra included on the disc is a brief art gallery that shows off what artwork they had available for the series.

Content: (please note that content portions of a review may contain spoilers)
Back in the early 90’s when new anime VHS releases were something rare, something you’d see once or twice a month and only a couple at that, They Were Eleven was a standout at the time for a lot of people since it wasn’t a babes and guns action adventure ninja apocalypse show. What this show was, while science fiction in genre, was a mystery show. Even all these years later, it’s a genre that is still not really touched all that much, partially since there often isn’t much if any replay value to it.

Even though it had been eight years, as soon as the cast of characters got introduced, I immediately remember who it was and why it happened like it did. But like any good mystery story, it’s the journey to the revelation that makes it interesting. Going back after knowing and seeing what clues you missed becomes part of the game and makes it all the more enjoyable. They Were Eleven is a bit short on that second aspect, but it’s a title that continues to bring a smile to my face every time I think about it.

The premise is simple enough; it’s hundreds and hundreds of years into the future and mankind has moved off into the stars, colonizing here and there. In the process, other races were met, humanity made some changes on some planets, wars started and all that fun stuff. As time wore on, everyone sat down and made happy with each other and formed an alliance. From there, the Cosmo Academy is formed and the best and brightest from all over come there to learn. Those that are accepted and graduate from there return to their own worlds, often as important leaders or influential persons in the lives and culture of their people.

The latest attempts at gaining admission has come and some 700 applicants are part of the final round. Grouped into shuttles with ten applicants per shuttle, they’re all sent off on their various ways for some final test that will prove them worthy. Up until now, it’s all been based on the individual applicants skill, such as the young Terran named Tada that we’ve followed through the beginning. Now, with nine other applicants, they have to work together so that they can all pass. Tada’s group ends up on a derelict space cruise liner. Within moments of them arriving on board however, they realize that there are eleven of them instead of ten, causing a problem right off the bat.

But if they cancel out now, they end up failing right away. So with distrust of each other and everyone trying to succeed based on their own agenda, the new crew of the ship must handle the obstacles that come their way, from the ship falling out of orbit to a viral outbreak all while knowing that one of them is there to sabotage it all. It’s a classic piece with some science fiction elements added in and done in a straightforward style. Once all is revealed, you do go “ah!” if you hadn’t realized it before and it becomes easy to piece it all together.

The downside to the tale here is that since there are eleven primary characters, most of them don’t get a lot of depth. Only one of them is outright alien looking while the others have some basic differences and several are Terrans. The one given the most time is due to gender issues, which was something more prominent at the time this originally came out. Add in some royalty to some and you get a mixed crew. But the majority of them don’t get much character study and come off as stereotypes at times or just blank ciphers. The lead characters get plenty of time, which isn’t surprising, but it makes it more of an issue in trying to determine the 11th applicant if you don’t get to deal with the entire cast much.

In Summary: 
They Were Eleven is classic “old school” anime that hasn’t made it big but has a solid core group of fans. This release was the third instance I’ve bought this title since CPM first released it and I’m glad they kept it in their library. Now I just hope for a rescue and a high definition release. When mentioning this title to people who have seen it, I’ve heard almost universal praise for it, often with fond memories of it being one of their earliest anime experiences and one that set them on the right path to finding more than the slugfests of the time. While in the larger anime picture it may not amount to much, in my collection it’s one of the better rough gems that I have seen and owned.

Features
Japanese Language, English Language, English Subtitles, Art Gallery

Content Grade: B+
Audio Grade: B+
Video Grade: B
Packaging Grade: B
Menu Grade: B
Extras Grade: C+

Released By: Central Park Media
Release Date: January 13th, 2004
MSRP: $19.99
Running Time: 91 Minutes
Video Encoding: 480i/p MPEG_2
Aspect Ratio: 1.33:1

Review Equipment:
Sony KDL70R550A 70″ LED 1080P HDTV, Sony PlayStation3 Blu-ray player via HDMI set to 1080p, Onkyo TX-SR605 Receiver and Panasonic SB-TP20S Multi-Channel Speaker System With 100-Watt Subwoofer.



‘Dropkick on My Devil!!’ Anime Adaptation Cast Announced With Promo

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© Yukiwo · COMIC Meteor

We haven’t heard much on the summer 2018 season series Jashin-chan Dropkick, aka Dropkick on My Devil, but that’s changed today with a good update from the project. The debut of the first promotional video clocks in at 2 1/2 minutes and gives us a cast list as well. It’s set for BS Fuji and Amazon Prime Video as well. The Japanese cast includes

  • Aina Suzuki as Jashin-chan
  • Nichika Omori as Yurine Hanazono
  • Miyu Kubota as Medusa
  • Yurie Kozakai as Pekora
  • Chiaki Omigawa as Minos
  • Rico Sasaki as Poporon
  • Riho Iida as Persephone the Second
  • Natsuko Hara as Mei Tachibana
  • Kazusa Aranami as Yusa
  • Miko Terada as Kōji

The property comes from manga creator Yukiwo that began in spring 2012 through the online Comic Meteor site and in print in the spring of 2014. Nine volumes are out so far.

Plot Concept: Jashin-chan Dropkick is a violent slapstick comedy about a delusional gothic lolita, Yurine, who summons a demon girl with the tail of a cobra, Jashin-chan. They’ll have to live together until Yurine finds a way to sent Jashin-chan back to hell, or until Jashin-chan kills Yurine.

94th ‘Aikatsu Stars!’ Anime Episode Previewed

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© BNP / Bandai / Dentsu / TV Tokyo

The Aikatsu Stars! series is underway in Japan with the second season and TV Tokyo is getting things moving with promotion for the next episode. Ahead of the February 15th, 2018 debut, they’ve now let loose with a quick hit promo for the ninety-fourth episode that showcases the main cast and supporting characters well.

Please note that TV Tokyo marks these previews are private after the episode airs.

The series is directed by Teruo Satou based on the series composition by Yuuko Kakihara. Yukiko Aikyou serves as the character designer and it’s produced by Bandai Namco Pictures. The main cast includes Miyu Tomita, Ayaka Asai and Minami Tsuda.

The original series has been ongoing since 2012 with almost 150 episodes so far while the first theatrical feature landed from Sunrise back in December 2014.

Plot Concept: The series features a new protagonist named Yume Nijino. Yume aims to become a top idol, and she enrolls in the Yotsuboshi Gakuen (Four Stars Academy). This academy has a special group called the S4, who are the top four active idols in the school. Yume and the other first-year students aim to become a part of the S4.

‘Steins;Gate’ Anime Gets Crunchyroll Distribution

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©2013 5pb./Nitroplus

One of the best series of this decade has found its way onto Crunchyroll thanks to their partnership with Funimation as Steins;Gate is now available on the service. The full series is available in its original Japanese language with English subtitles while the dub remains on Funimation’s site. Availability is limited to what Funimation had in picking it up back when it first aired so it’s available in the US and Canada only.

Check out our review of the first part of the series.

Originally airing in 2011, the series was directed by Hiroshi Hamasaki and Takuya Sato based on the series composition by Jukki Hanada. Kyuta Sakai served as the character designer and chief animation director with White Fox handling the animation production.

The Japanese cast includes Asami Imai as Kurisu Makise, Mamoru Miyano as Rintarō Okabe, Halko Momoi as Faris Nyannyan, Kana Hanazawa as Mayuri Shiina, Saori Goto as Moeka Kiryū, Tomokazu Seki as Itaru Hashida, Yu Kobayashi as Ruka Urushibara, and Yukari Tamura as Suzuha Amane.

Plot Concept: The eccentric mad scientist Okabe, his childhood friend Mayuri, and the otaku hacker Daru have banded together to form the “Future Gadget Research Laboratory,” and spend their days in a ramshackle laboratory hanging out and occasionally attempting to invent incredible futuristic gadgets. However, their claymore is a hydrator and their hair dryer flips breakers, and the only invention that’s even remotely interesting is their Phone Microwave, which transforms bananas into oozing green gel. But when an experiment goes awry, the gang discovers that the Phone Microwave can also send text messages to the past. And what’s more, the words they send can affect the flow of time and have unforeseen, far-reaching consequences—consequences that Okabe may not be able to handle…

120th ‘Cocotama’ Anime Episode Previewed

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© Bandai / TV Tokyo / Kata Production Committe

TV Tokyo had their latest episode of Cocotama earlier today and that means they’re now starting their promotion for the next episode with the 120th that’s set to arrive on February 15th, 2018. The show continues a pretty solid run and had the second DVD Box arrive on November 25th, 2016 in Japan with the third set released in March 2017 debut. Sadly, the series has not been picked up for a simulcast anywhere.

Please note that TV Tokyo takes these previews down when the episode goes live.

The series began airing in October 2015 with OLM Inc providing the animation for it. The show is directed by Norio Nitta based on the series composition by Michihiro Tsuchiya and character designs by Shinobu Ookawa.

Plot Concept: Cocotama are tiny gods born from the thoughts and feelings of objects that people use with great care. The fact that Cocotama wear part of the egg they hatch out of as underwear is proof that they are still apprentices. The Cocotama use a mysterious magic, and they train hard to be of use to humans and to become full gods. They live inside human houses and stealthily move around to help humans find things they have lost, although they make many mistakes.

‘Ergo Proxy’ Anime Gets Crunchyroll Distribution (Again)

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© manglobe / GENEON / GENEON (USA) / WOWOW

Back in June 2017, Crunchyroll added one of my favorite moody series to its service from the Funimation catalog with Ergo Proxy. Then, at some point, it quietly disappeared and I don’t believe it was actually mentioned that it had happened. The full series is now available once again in its original Japanese language form with English subtitles for viewing. Owing to it being an older title with more limited licensing done by Funimation when they acquired it, which came on top of Geneon Entertainment originally releasing it, it’s available for viewers in the United States and Canada only.

The twenty-three episode series originally broadcast back in 2006 and was licensed in North America and dubbed by Geneon Entertainment. Funimation holds the current license rights to it and produced a complete DVD collection back in 2012. The series was directed by Shukou Murase based on the series composition from Dai Sato and had Naoyuki Onda as the character designer and featured an opening song from Radiohead. It was animated by Manglobe.

Check out our review of the series here.

Plot Concept: The domed city of Romdo is an impenetrable would-be utopia where humans and robots coexist, and everything is under complete government control, or so it appears. While working on a mysterious murder case, Re-l Mayer, a female detective from the Civilian Intelligence Office, receives a foreboding message that something is going to “awaken.” That night, she’s attacked by a deformed super-being…what was this unidentified monster that attacked her, and who was the figure that came in between them? As Re-l attempts to unlock this spiraling mystery, a metaphysical battle cry leads her to the unknown outside world…


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