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TV Tokyo Promotes 62nd ‘Pokemon: Sun & Moon’ Anime Episode

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© Nintendo · Creatures · GAME FREAK · TV Tokyo · ShoPro · JR Kikaku © Pokémon

TV Tokyo is moving right along with the broadcast of the Pokemon: Sun & Moon anime series, coming alongside the game and general worldwide popularity. As the series progresses, the network has now put together the first promotional video for the next episode on February 15th, 2018. This’ll be episode 1004 of the series overall but the 61st episode of this new iteration.

The series is directed by Daiki Tomiyasu based on the series composition by Aya Matsui. Character designs were handled by Satoshi Nakano and Shuhei Yasuda.

The Japanese cast includes Ikue Ohtani as Satoshi’s Pikachu and Rica Matsumoto as Satoshi. The opening theme for the show is “Alola!!” as performed by Rica Matsumoto and Ikue Ohtani while the ending theme song is “Pose” as performed by Okazaki Taiiku.

Please note that TV Tokyo removes the videos when the episode airs.

Plot Concept: Alola, a place with beautiful blue sky and sea, has become the new stage of adventure for Satoshi and Pikachu. New Pokemon, new friends, and new experiences await!


TC Entertainment Schedules ‘Chou Dendou Robo Tetsujin 28-gou FX’ Anime DVD Box Set

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TC Entertainment has dipped into the past once again for a show that hasn’t been around for about a decade with the 1990’s series Chou Dendou Robo Tetsujin 28-gou FX getting a new DVD box set in Japan. The 47-episode series is scheduled for an April 27th, 2018 debut where the six-disc set is priced at 24,000 yen, which is priced down from past releases as one can imagine. At the moment it just lists a booklet as the only extra.

Plot Concept: By 2030, Shotaro’s son was in charge of Tetsujin-28. An Interpol agent like his father, he used the aged robot to combat the Pink Mafia and the Franken organization.

[Source: Chou Dendou Robo Tetsujin 28-gou FX]

‘You Are Deadpool’ Miniseries Announced

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Marvel Comics is looking to have some fun with Deadpool in May with the debut of a new five-issue series that’s hitting at the same time as the second feature film. The new work comes from writer Al Ewing with three issues illustrated by Salva Espin and two by Paco Diaz while Rahzzah is handling the covers for it.

“YOU ARE DEADPOOL is a five-part adventure gamebook in the classic tradition of FIGHTING FANTASY, LONE WOLF and DICEMAN — where YOU, and the cut-out-and-keep DEADPOOL DIE, control the action! Every week brings a COMPLETE single-player adventure — where you encounter glamorous guest-stars like HULK, GHOST RIDER, GRASSHOPPER, DAREDEVIL and ANOTHER GRASSHOPPER — that form an EPIC QUEST the like of which you’ve NEVER SEEN, unless you have!” teases series writer Al Ewing.

“And there’s more! Fight END-OF-LEVEL BOSSES! Manage your inventory by STEALING background objects! Explore FIVE DIFFERENT TIME ZONES in NEARLY ANY ORDER! Play the TUTORIAL LEVEL! Enjoy UNIQUE MINIGAMES about BAR FIGHTS, BEAT POETRY and SNEAKING THROUGH LEVELS! LAUGH! CRY! CHEAT! It’s all waiting for YOU — because YOU ARE DEADPOOL!”

Plot Concept:OU ARE DEADPOOL is an interactive narrative that lets readers control Deadpool’s story by rolling dice, keeping track of their scores, and making smart (or disastrous) decisions. And be prepared to meet some classic and unique guest stars as you travel through time as Deadpool in a whirlwind adventure!

YOU ARE DEADPOOL #1 (of 5)
Written by AL EWING
Art by SALVA ESPIN (issues #1, 3, 5) & PACO DIAZ (Issues #2, 4)
Covers by RAHZZAH
On-Sale 5/2/18

Netflix Japan Reveals New ‘B: The Beginning’ Anime Key Visual

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© Kazuto Nakazawa / Production IG

We’re just under a month away from the Netflix debut of the B: The Beginning series that was produced in conjunction with the fine folks at Production I.G. studio. The marketing for it has added another element that we could be seeing down the line on a home video release with a new key visual for the twelve episode series that’s set to land on March 2nd, 2018 worldwide on Netflix in bilingual form.

The series is directed by Kazuto Nakazawa, who has worked in key animation, character design and served as an episode director on a number of shows, though mostly in terms of opening sequences. He also directed the Parasite Dolls OVA series and did character design on Samurai Champloo while directing a few episodes.

The Japanese cast includes Asami Seto as Lily Hoshina, Hiroaki Hirata as Keith Kazama Flick, Yuuki Kaji as Koku, Ami Koshimizu as Kaela Yoshinaga, Atsushi Goto as Jean Henry Richard, Hiroki Touchi as Eric Toga, Kaito Ishikawa as Minatsuki, Minoru Inaba as Boris Meier, Shintarō Tanaka as Mario, Toshiyuki Morikawa as Gilbert Ross, and Toshiyuki Toyonaga as Brian Brandon.

© Kazuto Nakazawa / Production IG

The English language cast includes Ray Chase as Keith / Dr. Flick, Kyle McCarley as Koku, John Demita as Gilbert / Puzo, Doug Stone as Boris, Faye Mata as Lily, Johnny Yong Bosch as Minatsuki, Xander Mobus as Laica / Henry, Allegra Clark as Kaela, Brianna Knickerbocker as Yuna, Patrick Seitz as Mario, Jalen K. Cassell as Eric, Erica Mendez as Young Koku, Cristina Vee as Young Yuna / Erika / Kukuri / Takeru, John Snyder as Jean, Ezra Weisz as Abbot, Khoi Dao as Brandon, Todd Haberkorn as Quinn / Jonathan, Steve Prince as Julian, Ben Diskin Kamui, Marianne Miller as Izanami / Lily’s Mom, Sean Chiplock as Red, Edward Bosco as Blue / Richard, Keith Silverstein as Yellow, Jake Eberle as Lily’s Father, and Joe Zieja as Lily’s Brother.

Plot Concept: The 12-episode series is set in the future where scientists have tried to breed the “perfect human” in hopes of keeping peace in the universe. After nearly achieving their goal through three children, the scientists send their “new humans” for further training where they are kidnapped by an evil organization set on using their powers to implement their own concept of a new world order.

Viz Media Celebrates Pro Wrestling With ‘King of Strong’ Autobiography

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Press Release:

Gripping Autobiography Of Japanese Pro Wrestling Star Shinsuke “The Artist” Nakamura Set For Release This Summer

San Francisco, CA, February 8, 2018 – VIZ Media, LLC (VIZ Media), a premier company in the fields of publishing, animation distribution, and global entertainment licensing, springs into the wild world of professional wrestling as it announces the acquisition of the English-language publishing rights for KING OF STRONG STYLE: 1980-2014.

Originally published in two paperback volumes in Japan, (1980-2004, 2004-2015), the autobiography of one of Japan’s greatest professional wrestlers, Shinsuke Nakamura, will be released as a single-volume hardcover print edition as well as a digital edition by VIZ Media in the summer of 2018. Both hard copy and digital releases will feature select color and b&w photographs.

Nakamura now appears weekly on USA Network’s Tuesday night program, Smackdown Live, which has over 2 million weekly viewers, where he is frequently featured in the main event match-ups.

Before he became a star of American professional wrestling, Shinsuke Nakamura was Japan’s “King of Strong Style.” His autobiography traces an amazing life and career from the amateur grappling ranks to the Nippon Budokan. Thrill to his matches against such legends as Kurt Angle and Brock Lesnar, his reign as the youngest IWGP Heavyweight Champion, and his success as a mixed martial artist.

“Professional wrestling is at the crossroads of extreme sports, over-the-top theatre and pop culture, and Shinsuke Nakamura, already a huge star in Japan, is seeing his star rising fast among millions of U.S. fans,” says Masumi Washington, Sr. Director, Publishing Production. “His autobiography, a riveting story depicting one man’s quest to conquer the world both inside and outside the wrestling ring, is a unique and special addition to the VIZ Media catalog.”

Born in Kyoto, February 24, 1980, Shinsuke Nakamura began amateur wrestling in high school before attending university at Aoyama Gakuin University. After a brilliant career there, he joined New Japan Pro-Wrestling in March 2002 and made his professional debut at Nippon Budokan in a match against Tadao Yasuda on August 29, 2002. On December 9, 2003, a mere sixteen months into his professional career, he crushed Hiroshi Tenzan and was crowned the youngest IWGP Heavyweight Champion in history. Even as he pursued greatness in the professional wrestling ring, Nakamura participated in MMA, facing Daniel Gracie of the legendary jiu-jitsu family, and superheavyweight kickboxing champion Alexey Ignashov. Now he thrills fans in the United States and beyond on a weekly basis as one of the top wrestlers in the world.

For additional information on KING OF STRONG STYLE: 1980-2014 or other anime, manga and literary titles distributed by VIZ Media, please visit viz.com.

About VIZ Media, LLC

Established in 1986, VIZ Media is the premier company in the fields of publishing, animation distribution, and global entertainment licensing. Along with its popular digital magazine WEEKLY SHONEN JUMP and blockbuster properties like NARUTO, DRAGON BALL, SAILOR MOON, and POKÉMON, VIZ Media offers an extensive library of titles and original content in a wide variety of book and video formats, as well as through official licensed merchandise. Owned by three of Japan’s largest publishing and entertainment companies, Shueisha Inc., Shogakukan Inc., and Shogakukan-Shueisha Productions, Co., Ltd., VIZ Media is dedicated to bringing the best titles for English-speaking audiences worldwide.

New ‘Kakuriyo no Yadomeshi’ Anime Previews Opening Theme Song

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© 2018 Terao Akira / Laruha / KADOKAWA / “Kakuriyo no Kita” Production Committee

We learned last fall that Midori Yuuma’s light novel series Kakuriyo no Yadomeshi is getting a TV series anime adaptation with plans for 2018. TheWith it set as part of the spring 2018 season in April, the marketing is starting to ramp up more. The latest to hit is a new promotional video that clocks in at a minute and eases us into things before bumping it up with the opening theme song preview. Yoshiko Okuda is directing it based on the series composition by Tomoko Konparu. Youko Satou is handling the character designs while Takuhito Kusanagi and Tadashi Oppaku are handling the ayakashi designs. Hikaru Suzuki is serving as the chief animation director with Gonzo handling the production.

The previously announced cast includes:

  • Nao Touyama as Aoi Tsubaki
  • Katsuyuki Konishi as Oodanna
  • Shunichi Toki as Ginji
  • Yuuma Uchida as Akatsuki
  • Ai Kakuma as Oryou
  • Atsushi Tamaruas Byakuya

The novels come from Kadokawa and began in 2015 with illustrations by Laruha. Since then, it’s had seven volumes released as of 2017.

Plot Concept: The work follows a university student, Aoi Tsubaki, who has the ability to see Ayakashi. She is forced to marry an Oni due to her grandfather’s debt, but she doesn’t want to marry him. She decides to work in Kakuriyo, which owns by her Oni fiance Oodanna, to pay back the debt and to serve Ayakashi customers such as Oni and fox.

‘A Place Further Than The Universe’ Anime Packs For Antarctica

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© YORIMOI PARTNERS

The winter 2018 series A Place Further Than The Universe is underway with new episodes arriving every Tuesday on Crunchyroll at 8:30 am ET. With that in mind, Crunchyroll is rolling out some new clips from the show that highlights the packing process and a few other character moments to entice you into watching it. Availability for it is strong as it’s open to viewers worldwide outside of Asia.

The show is being directed by Atsuko Ishizuka based on the series composition and scripts by Jukki Hanada. Takahiro Yoshimatsu is handling the character designs while also serving as the chief animation director and Madhouse is handling the animation production.

The Japanese cast includes Inori Minase as Mari Tamaki, Kana Hanazawa as Shirase Kobuchizawa, Yuka Iguchi as Hinata Miyake, Saori Hayami as Yuzuki Shiraishi, Mamiko Noto as Gin Toudou, Yoko Hikasa as Kanae Maekawa, Lynn as Yumiko Sabejima, Hisako Kanemoto as Megumi Takahashi, Kaede Hondo as Rin Tamaki, and Sayaka Ohara as Tamiko Shiraishi.

Plot Concept: Scenery that we have never seen. Sounds that we have never heard. Scent that we have never smelled. Food that we have never tasted. And the surge of emotion that we have never experienced. This is the expedition of recollecting the pieces torn apart and sensation left alone. When we reach that place, what will we think? Howling, 40 degree angle. Raging, 50 degree angle. Shouting, 60 degree angle. A wilderness beyond the heavy sea. The furthest south, far from civilization. At the top of the Earth. We will find lights through the girls’ eyes to live tomorrow.

‘My-Otome Zwei’ Anime Dub Clip Defends Aries One More Time

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© Sunrise

Funimation made a lot of fans happy earlier last month with the release of a lot of properties from this franchise, including the My-Otome collection that included Zwei material. They’ve now added a new dub clip to entice people with since dub clips weren’t a thing back in the day when this was first released to check out as we get to see Haruka defend the beautiful land of Aries.

Directed by Masakazu Obara based n the series composition by Hiroyuki Yoshino, it features character designs by Hirokazu Hisayuki and anime production from Sunrise.

The Japanese cast includes Mika Kikuchi as Arika Yumemiya, Yukana as Mashiro Blan de Windbloom, Ai Shimizu as Mikoto, Ami Koshimizu as Nina Wáng, Mai Nakahara as Mai Tokiha, Mitsuki Saiga as Chie Hallard, and Saeko Chiba as Natsuki Kruger.

The English cast includes Angie Beers as Arika Yumemiya, Katie Rowan as Mashiro Blan de Windbloom, Cheryl McMaster as Natsuki Kruger, Kris Rundle as Nina Wang, Leah Dubbin-Steckel as Irina Woods, Barb Mitchell as Maria Graceburt, Barbara Kozicki as Yukariko Steinberg, Brett Bauer as Kazuya, Caitlynne Medrek as Mikoto, Carol-Anne Day as Mai Tokiha, Christy Greene as Chie Hallard, Graham Ko as Nagi Dai Artai, and Jayna Mitchell as Aoi Senoh.

Plot Concept: Discover more about the power of Otome in two exciting OVAs. After the battle of Windbloom, Arika and her friends face another threat when a strange new creature appears. In the sub-only prequel, catch a new story where the powers of HiME and Otome combine, and Arika and Nina’s mothers have their own adventure!



Flame of Recca Vol. #16 Manga Review

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Showdown!

Creative Staff
Story/Art: Nobuyuki Anzai
Translation/Adaptation: Lance Caselman

What They Say
Recca and Kurei now face each other in a decisive showdown. Both armed with the incredible power to control flames, they are locked in the final battle of the deadly assassins’ brutal tournament. Worn down from the fight, they both unleash one fantastic final blow that destroys the massive coliseum they battle in. From the rubble the winner will appear…but who will it be?

Content: (please note that content portions of a review may contain spoilers):
At just about the halfway mark of the manga series, it matches up to about the same place as the anime ended with the confrontation at long last between Recca and Kurei. The two have had their moments of sparring in the past but much of this tournament was geared towards either a final fight between the two over past injustices or the outright destruction of Recca and his friends at the hands of much more powerful adversaries. Suffice to say, Recca and the others have managed to hold their own against some really creative enemies and have come out on top, barely, to face Kurei.

Fighting with Kurei isn’t exactly on the up and up though since he’s not the kind to play fair. Using Kurenai against Recca and with the understanding of who she is now, Recca is at something of a disadvantage at first but as we see through the special training that he’s undergone with Koku and that all comes literally rushing into him while dealing with Kurei this time. Koku’s definitely been one of the more amusing characters to grace the tournament, from how he spent his time teaching Recca to the way he manages to be the only one to actually grope Kagero. Her expression during that incident is priceless and really is one of the few moments in the entire series so far that she’s so truly caught off guard.

Of course, as bad as Kurei has been during a lot of this, the real evil is given center stage in this book as we see his “father” come out from behind the shadows and the rubble to get personally involved in everything. It’s little more than really setting the stage for the, uh, other seventeen volumes still to come but it’s the kind of pure and undiluted evil that’s fun to see characters like Recca go up against. No matter how much he believes he can appeal to Kurei’s good side and try to sway him, Koran Mori is not one of those that can be swayed. His brutality is the kind of loves torture, anguish and being so fully in control of a situation that lets him play like that.

The artwork in this volume is about on par for the last couple of volumes, which is much better than early on in the book. While it may not be up to the standards of a lot of more current books, I really like the rough style he uses and the fluid motions that come from it. Particularly with a volume like this where so much of it is tournament based, you really don’t need a lot of vividly detailed backgrounds to work with. When it moves out of the area material, it does look worse though since the conversational scenes look very bland with just a lot of characters standing around with little to accent it. This volume comes with a few bonus pages that have small gag pages and bits from the staff as well as a showcase of those who fought in the tournament. It’s definitely a solid way to cap off such a long running and intense arc.

Content Grade: B
Art Grade: B
Packaging Grade: B
Text/Translation Grade: B

Age Rating: 13+
Released By: Viz Media
Release Date: January 1st, 2006
MSRP: $9.99


What’s On The Crunchyroll, Funimation, & HIDIVE Anime Streaming Calendar For February 9th, 2018

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© 2017 Ryo Mizuno, Miyuu / Kadokawa / Elam Magic Academy

The weekend is getting underway and that means the big deluge of new anime episodes is about to arrive. Crunchyroll has a lot of good shows on tap today that are bringing out new installments with:

  • 9:45am – WORKING BUDDIES!
  • 10:00am – KATANA MAIDENS ~ TOJI NO MIKO
  • 10:15am – HAKYU HOSHIN ENGI
  • 10:30am – JUNJI ITO COLLECTION
  • 11:00am – HAKATA TONKOTSU RAMENS
  • 11:30am – RECORD OF GRANCREST WAR
  • 1:23pm – GARO -VANISHING LINE-
  • 6:30pm – FUTURE CARD BUDDYFIGHT X
  • 8:00pm – BONO BONO 2ND SEASON
  • 10:30pm – DAGASHI KASHI SEASON 2

Funimation has one show getting its dubbed episodes out more today with:

  • 4:00 pm EST – JUNI TAISEN: ZODIAC WAR Episodes 3-12

HIDIVE has a trio of shows today with:

  • 9:30 am – Hakumi & Mikochi Episode #05
  • 10:25 am – Seven Heavenly Virtues Episode #03
  • 1:00 pm – Samurai Punisher Episode 15

‘And You Thought There Is Never A Girl Online?’ Gets Australian Pickup

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© 2015 Kineko Shibai / Kadokawa / ASCII Media Works

With And you thought there is never a girl online? having gotten a North American release last summer, Madman Entertainment has opted to finally take the change on the project. The distributor has set a May 9th, 2018 release for it on separate DVD and Blu-ray editions priced at $59.95 and $69.95 respectively. While the Australian DVD edition doesn’t have its extras listed yet, the US edition has 32 minutes worth of extras. The Blu-ray edition extras include an audio commentary, a video commentary, promos, commercials, and the clean opening and closing sequences.

Check out our review of Funimation’s North American release.

The series was directed by Shinsuke Yanagi based on the series composition by Tatsuya Takahashi. It was animated by Project No. 9. The Japanese cast includes Toshiyuki Toyonaga as Hideki Nishimura / Lucian, Rina Hidaka as Ako Tamaki / Ako, Inori Minase as Akane Segawa / Schwein, M.A.O as Kyō Goshōin / Apricot, Hitomi Ohwada as Nanako Akiyama and Yoshino Nanjou as Yui Saitou.

On the English language side, the series has Cris George serving as the ADR director and Jose Sandoval as the ADR engineer. The English cast includes Dallas Reid as Hideki/Rusian, Trina Nishimura as Ako, Jad Saxton as Akane, Mallorie Rodak as Kyoh, Josh Grelle as Schwein and J. Michael Tatum as Apricot.

The series comes from Shibai Kineko with multiple novels out there and meriting a manga adaptation, which is done by Kazui Ishigami.

Plot Concept: Our naïve protagonist proposes to a female character in an online game, only to find out that the player is actually a guy. Traumatized by that, he decides to never trust a girl online, but now, two years later, a female player is proposing to him. What will happen?

ComiXology Sets New Digital Comics & Manga For February 9th, 2018

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Friday’s can be quiet or busy depending on whether there’s any manga in the mix. This week doesn’t have any manga as it hit yesterday but we do have my favorite series with Bombshells: United, which comes from writer Marguerite Bennett. It’s unclear who is on the art duties this time around but we do get a new arc underway with a focus on the Batgirls in Gotham and it’s delivered with a fantastic Black Canary cover.

Plot Concept: The Batgirls are back…but some will be called to leave Gotham behind.

Friday
DC Bombshells: United (2017-) 25 Buy now!

Top 20 Adult Graphic Novels For January 2018

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Dragon Ball Super Volume 2

The latest rankings are in from ICv2 with what sold the best during January when it came to the adult manga and graphic novel bookstore market. It’s definitely another solid month on the manga side for Viz Media  as they have several titles charting, including RWBY taking the second place spot while more recent books like Tokyo Ghoul: re and Dragon ball Super do well and My Hero Academia continues to build its audience. Kodansha Comics gets one new title on the chart with the latest Attack on Titan.

Image Comics has a lot of strong properties out there but they’re spread thin rather than anything doing huge numbers, though Saga continues to be the best of what they’ve got outside of The Walking Dead as the eighth volume takes the top spot. Marvel Comics only has one book on the chart this month as well with the first volume of Star Wars: Darth Vader – Dark Lord of the Sith.

DC Comics has a decent run with the familiar here such as Watchmen but they’ve got some REbirth material here as well. Marvel also has one non-Star Wars book with Black Panther continuing to show that it’s moving some product ahead of its theatrical adaptation.

NPD BookScan Top 20 Adult Graphic Novels – January 2018
Rank Title Author Publisher
1 SAGA VOL. 8 BRIAN K. VAUGHAN IMAGE COMICS
2 RWBY SHIROW MIWA VIZ MEDIA
3 EVERYONE’S A ALIEBN WHEN UR A ALIEBN TOO: A BOOK HC JOMNY SUN HARPER PERENNIAL
4 FUN HOME: A FAMILY TRAGICOMIC ALISON BECHDEL MARINER BOOKS
5 DRAGON BALL SUPER VOL. 2 AKIRA TORIYAMA VIZ MEDIA
6 TOKYO GHOUL: RE VOL. 2 SUI ISHIDA VIZ MEDIA
7 GOING INTO TOWN: A LOVE LETTER HC ROZ CHAST BLOOMSBURY UK
8 WATCHMEN ALAN MOORE DC COMICS
9 BLACK PANTHER BOOK 1: A NATION UNDER OUR FEET TA-NEHISI COATES MARVEL COMICS
10 OVERWATCH: ANTHOLOGY VOL. 1 HC MATT BURNS DARK HORSE BOOKS
11 MY HERO ACADEMIA VOL. 10 KOHEI HORIKOSHI VIZ MEDIA
12 MY HERO ACADEMIA VOL. 1 KOHEI HORIKOSHI VIZ MEDIA
13 TOKYO GHOUL: RE VOL. 1 SUI ISHIDA VIZ MEDIA
14 MARCH: BOOK ONE JOHN LEWIS TOP SHELF PRODUCTIONS
15 ATTACK ON TITAN VOL. 23 HAJIME ISAYAMA KODANSHA COMICS
16 BATMAN VOL. 4 TP (REBIRTH) TOM KING DC COMICS
17 BLUE EXORCIST VOL. 18 KAZUE KATO VIZ MEDIA
18 SHIVER: JUNJI ITO SELECTED STORIES HC JUNJI ITO VIZ MEDIA
19 STAR WARS: DARTH VADER: DARK LORD OF THE SITH VOL. 1 CHARLES SOULE MARVEL COMICS
20 MY FAVORITE THING IS MONSTERS EMIL FERRIS FANTAGRAPHICS BOOKS
Source: The NPD Group/BookScan

Madman Acquires ‘Flip Flappers’ Anime

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© FliFla Project

With a planned February 27th, 2018 release in North America for the bilingual Blu-ray and premium edition release from Sentai Filmworks, Australian distributor Madman Entertainment has set up their plans for Flip Flappers. The series is getting a Blu-ray only release from them on May 9th, 2018 priced at $59.95. Listed with the clean opening and closing as the extras, it’ll be a bilingual release and essentially mirror the North American one.

John Swasey directed the cast for this with Marta Bechtol handling the scripts. The cast includes Luci Christian as Cocona,  Brittney Karbowski as Papika,  Patricia Duran as Yayaka,  David Wald as Salt,  David Matranga as Hidaka,  Chelsea McCurdy as Sayuri,  Jay Hickman as TT-392,  Carli Mosier as Yuyu,  Philip Hayes as Toto,  Emily Neves as Nyunyu,  Shelley Calene-Black as Mimi,  Kira Vincent-Davis as Irodori,  Tiffany Grant as Grandma, and  Mark X Laskowski as Uexkull.

The project is a production that involves Infinite and toy distributor Happinet. It was directed by Kiyotaka Oshiyama with Takashi Kojima serving as the chief animation director and character designer. The original concept art was done by tanu. Studio 3Hz produced the animation for it.

The Japanese cast includes M.A.O. as Papika, Minami Takahashi as Konoka, Ayaka Ohashi as Yayaka, Kenjirou Tsuda as Salt, Airi Toshinou as Yuyu, Sayaka Inoue as Toto, Jun Fukushima as Hidaka, Yoko Hikasa as Sayuri, Kazuyuki Okitsu as TT-392, Michiyo Murase as Uexkull, Saori Oonishi as Kokona’s Senpai and Tamie Kubota as Kokona’s Grandmother.

The opening theme song is “Serendipity” performed by ZAQ while the ending theme song is “FLIP FLAP FLIP FLAP” as performed by TO-MAS feat.Chima.

Crunchyroll streamed the series to their members in the US, Canada, UK, Ireland, Australia, New Zealand, South Africa, Latin America, Netherlands, Scandinavia, Turkey, the Middle East and North Africa.

Plot concept: How does the world look in your eyes? Papika and Cocona, the heroines of the story, hold the keys to open the door. When the two girls meet, their adventures in a different time and different overlapping dimension called “Pure Illusion” begin. Many things in Pure Illusion will stand in the girls’ way on their search for the mysterious crystal called the “Shard of Mimi,” an item that is said to grant any wish. However, when the girls find themselves in danger, the Shard of Mimi shines, and they are able to transform.

Netflix Acquires ‘Extinction’ From Universal Pictures

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Originally set for a January 26th, 2018 release date from Universal Pictures, Netflix has picked up the rights to the Extinction feature film. January tends to be a bit of a dumping ground of a month for a lot of smaller projects that get mixed in with the widening releases of Oscar favorites that got limited holiday releases, so there’s some decent variety and some smaller pictures like this that just get lost in all of it. Netflix picked this up at the same time they did The Cloverfield Paradox but has not set any plans yet for when they’ll bring this out.

The fact that there isn’t even a trailer for this film, however, says enough.

Directed by Ben Young based on the screenplay by Spense Cohen and Bradley Caleb Kane, the film stars Michael Pena, Lizzy Caplan, Mike Colter, Lilly Aspell, Emma Booth, Israel Broussard, Erica Tremblay and Lex Shrapnel.

Plot Concept: A father has a recurring dream of losing his family. His nightmare turns into reality when the planet is invaded by a force bent on destruction. Fighting for their lives, he comes to realize an unknown strength to keep them safe from harm.

[Source: Deadline]


Non Non Biyori Complete Series Blu-ray Anime Review

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The slow march of time through beautiful landscapes and the small moments of existence.

What They Say:
When Hotaru moves from Tokyo to a tiny town in the rural countryside, she’s in for some serious culture shock: the nearest place that sells comics is 20 minutes away, the nearest video store is ten train stations down the line, and there are only three other girls and one boy in her entire school! Even though everything’s so different, there’s something about the laid-back atmosphere that makes her feel strangely comfortable. While she’ll certainly miss parts of her old life, there’s a whole lifetime of experiences waiting to be enjoyed with her new friends Renge, Komari, Natsumi, and Suguru! In the end, it’s who you’re with, not where you are, that makes a place your home!

The Review:
Audio:
The audio presentation for this release is about what you’d expect in that we get a simple stereo mix with only the Japanese language, which is encoded using the lossless DTS-HD MA codec. The show is all about the ambience and dialogue, so it has to work the calm and quiet scenes well throughout, letting some of the sounds of nature dominate as well as other incidental aspects of it all. It handles it all quite well overall, but like a lot of mixes of this nature it’s not going to come across as striking or impressive, though it does it all in a very good way. There’s some decent placement from time to time with the show as we get a good number of characters together at a time as well as a bit of depth as well, though less of that overall. Dialogue is clean and clear throughout and we didn’t have any problems with dropouts or distortions during regular playback.

Video:
Originally airing in 2013 and 2015, the transfer for this twenty-four episode series that ran in two seasons is presented in its original aspect ratio of 1.78:1 in 1080p using the AVC codec. The twelve episodes for each cour are spread across two discs with nine on the first and three on the second. Animated by Silver Link once again, the show has another round of beautiful backgrounds that just brings the settings to life here in a great way. The series has a lot of static backgrounds throughout it which makes it easier to work with a mid-rage bit rate that lands mostly around the twenty range with plenty of variation near it. That’s definitely welcome as there’s a lot of great colors here that stand out well and add to the overall richness of the show that definitely needs to be seen in high definition. Though it’s not the most animated of series, it does handle its animation well but it also balances it out with some good details to the characters, beautiful colors in backgrounds and foregrounds and fluidity of animation when necessary. This is a really well done show in that it immerses you in the area through the visuals and the transfer captures that.

Packaging:
The packaging for this release is done up with a thicker than normal case to hold the four Blu-ray discs with hinges. The front cover gives us the main cast of characters together having fun in the snow with cute snow bunnies and snowmen that has a light and charming air about it all. The logo is bright and colorful but it can be difficult to tell what this is since it could feel like a re-release of the first season until you note the strip along the bottom with the episode count. It just feels like it needed a better title for the collection. The back cover works in the natural colors nicely with more background material along the top under the tagline while the bottom goes for a solid shade of orange for the production information and the technical grid. The top strip has some good character artwork and a solid slate of shots from the show that shows off more of the various locations while the premise, done in red text on white, covers things really well in exploring the basics of the cover. No show related inserts are included nor is there a reversible cover.

Extras:
The extras for this release definitely step things up several notches and for some fans will ease the lack of a dub. While the first season has just the clean opening and closing, the second season goes for more. The big extra is that we get multiple of the Japanese commentary tracks, which are hellish pieces to translate and Sentai gets huge props for handling that for the fans. The release also comes with a fun cast panel video that runs about fifteen minutes, a round or promos, and the clean opening and closing sequence. We also get over an hour across six installments of the Dagashi videos. These are fun little cast talk pieces done for each of the Japanese volumes where they spend some time in a candy store having fun and then the actresses sit around in a room talking about a range of things related to the show and their characters. They’re best parceled out in small doses simply because there’s so much of it.

Content: (please note that content portions of a review may contain spoilers)
Based on the manga of the same name by Atto, Non Non Biyori is a twelve episode series animated by Silver Link which was broadcast during the fall of 2013 that was followed-up in 2015 with the Non Non Biyori Repeat season. The original manga began back in 2009 and has eleven volumes to its name so far, giving this a fair bit of material to work with overall. Slice of life shows are ones that can be worked a bit easier anyway since they have a natural slowness to them that can lead to some creative and fun ways of stretching things out a bit. With this series, we get taken out of the usual norm for a show like this in that it puts us in the countryside village of Asahigaoka. Having spent my own time in far off places that are quite similar to this, you can definitely feel a certain truth coming from the design of a series like this.

While we’ve had countryside village stories before, often they take us to more regional schools where we get a fairly normal kind of crowd that has the standard size to it but without the whole big city aspect. What they do here instead is introduce to us the place through the arrival of Hotaru, a fifth year elementary student who has come from Tokyo due to a job transfer her father had. She’s not a worldly Tokyoite or anything but simply comes across as a normal kid. One that’s shocked to find that her new school has four students in it prior to her arriving. The school takes place in a single classroom that’s handled by a single teacher, Kazuho, who herself graduated from here several years ago. It’s more a traditional Little House on the Prairie kind of school where we get everything that’s taught at the same time in a way but it’s more about self study and working through workbooks rather than Kazuho actually teaching. Which is good since she’s more predisposed to sleeping most of the time like a cat.

The make-up of the class is heavily tilted towards the girls as there are three of them versus the single boy and the arrival of Hotaru makes it all the more tilted. The single boy is the elder brother of Natsume and Komari, which gives us three of the characters being siblings in the class of four, which is awkward enough. To make it more so, the first grade student in here, Renge, is related to Kazuho, so there’s a lot of easy familiarity among everyone because of this situation. Hotaru’s arrival is one that doesn’t exactly upset it since the girls all get together more and just hang out, especially since Suguru as the only male is barely used and barely even qualifies as window dressing since he has a handful of lines at best here. Which works well enough since this is pretty much an all-girls show anyway, but at least that make mention of one or two boys along the way so that it’s not as if boys don’t exist at all.

Thankfully, the show doesn’t focus on Hotaru as the view of the village from a big city girl, though we get some of it to start. It works well enough to introduce us to the village and some of the quirks of it, but it’s largely a normal place where you have to travel to a nearby city for a normal market and other kinds of amenities. There’s a few simple places within the village, but the only noteworthy one that really comes up is that there’s a candy shop that’s run by a former alumni of the school who is barely eking out an existence since there aren’t a lot of people here and little in the way of money. A lot of the show simply takes place at the school, but it also doesn’t spend all of its time there as it shifts around other areas that really does a good job to accent its beauty. There’s an episode that focuses nicely on this as we get Renge meeting a girl who has come to visit her grandmother for the summer and she shows her around so she can take lots of pictures. It’s a nice story in that it gives Renge someone her own age to interact with, though you know it won’t last.

The draw of a show like this is the slow moments themselves, the way they interact with each other and just hang out. Because of the big age differences at times with them, and some of the silliness of the height differences as well since second year middle school student Komari is shorter than her younger sister, and almost on a first grade level at about four foot nine, you get plenty of situations come up that deals with these differences. During the simple and mostly non-fanservice oriented beach segment, Komari goes off to get drinks for everyone but a few of the caretakers in the area worry that she’s a lost little girl and keep her with them until her friends come and pick her up. Everyone is apologetic, but there is definitely some comedy to be had with these even as you feel bad for Komari. Though you can’t help but to enjoy the way Renge even gets a few good laughs in with it.

Non Non Biyori works through plenty of familiar stories as it goes on, from a rather cute late night challenge of bravery that panics the girls to a more personal piece where Komari and Natsume deal with Komari watching a ghost movie that freaks her out more than she thought it would. Of course, siblings make everything worse and Natsume really torments her in a big way. Cooking figures into the show as well of course and there’s also a good episode where they try to put on a culture festival with a cafe while drawing in a few other alumni in order to make it profitable. Not that anyone in the class can even read a recipe and follow it – Kazuho included – which makes it a comical bit to watch. Still, having some of the older students come back makes it fun to watch since there’s some family relations in there as well. You can see the echos of that generation coming through upon revisiting.

Silver Link’s work on the show here is important because the quality of the animation in terms of design really is critical. It may be a bit more green natural than some might expect in a way, but it has a big naturalistic look to it and a bit too clean, but it paints an appealing picture of saying that there is much to like out here and that there are many happy people in that area. The background designs are just beautiful throughout when it comes to the outdoors and they do just as solid inside, though that’s a bit more traditional. Similarly, the character designs have a lot of appeal as there are some real differences in the characters but they each have their quirks that make them stand out. It’s not a series with high fluid animation because it’s simply not necessary as it’s all dialogue driven with simple movements, but what they do offer really comes across well and leaves you with a very good impression of the project as a whole.

Shonen Ashibe GO! GO! Goma-chan Episode #63 Anime Review

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© Hiromi Morishita · OOP / Team Goma

“I’m Not Gonna Say Goodbye!”

What They Say:
A comedy manga, “Shonen Ashibe,” that follows the friendship between baby spotted seal Goma-chan and first-grade student Ashiya Ashibe. First serialized in 1988 and adapted to anime in 1991, the adorable Goma-chan created a massive following and a spotted seal boom. This spring, Goma-chan returns to “Tentere Anime.” A cute, pleasant story of Ashibe and Goma-chan and their unusual school and their neighbors. Sometimes endearing, sometimes bizarre, it’s a fun anime for the whole family!

The Review:
Content: (please note that content portions of a review may contain spoilers)
The series definitely had fun in bringing Sugao and his family to where Ashibe usually is and having them connect with so many people in his life. There’s at least a sense of getting to know what Ashibe is involved with regularly and knowing that he’s having a good life that on some level would be good for Sugao to understand. Of course, having Pa take Ashibe and Ma to Sapporo to see if Goma-chan belongs to the zoo that’s there where a seal went missing means a lot of missed opportunities, and that’s something that Ashibe discovers at the start here that he may be close to losing his best pal in the world. Though that only comes after Pa really makes it clear to him.

With that in mind, the show gives us some time with Sugao and his family that have arrived here thanks to Ashibe’s grandpa and they’re off looking for him now. It’s gotten complicated because of Ashibe having gone missing due to what he learned about Goma-chan before getting any real answers, which does feel like an afterschool special kind of story that I saw growing up. It’s fun to watch these various elements play out while we get Ashibe and Goma-chan essentially on the run but distracted by things even as he declares that they’re going to live on their own. It’s familiar kids mentality stuff that unfolds even while getting a subplot about how grandpa will attempt to fix things in the long run.

In Summary:
With the storyline moving along nicely over a couple of episodes (which makes me fearful that it’s coming to a close), Shonen Ashibe plays with some familiar ideas here. With Goma-chan getting sick along the way, Ashibe doing his best to run away and protect him, and everyone out looking for them while trying to solve the larger problem it has all the hallmarks of familiar afterschool specials. And that’s fine because it’s fun and has the right level of emotion to it. There’s plenty of cute moments and gags but it infuses enough character and emotional resonance into it to help it stand out as more than what you’d expect.

Grade: B-

Streamed By: Crunchyroll

‘Tenka Touitsu Koi no Ran Love Ballad’ Anime Adaptation Announced

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© Voltage / © Vol Pictures

With a drama app out there since 2014, the Tenka Touitsu Koi no Ran Love Ballad property is now making the leap to anime though it will be using new characters. It’s set as an in-app stream beginning in May and has set Sakana Fukase as the director with Mikagami Inc. handling the scenario and script side. UWAN Pictures is handling the animation and the Japanese cast includes:

  • Genki Okawa as Tsubame
  • Shou Nogami as Hibari
  • Shouhei Komatsu as Tobi
  • Taichi Ichikawa as Chidori

Plot Concept: A gun mercenary group in warring period called Saikashuu is mostly active in Kii Country (now Wakayama Prefecture). The main characters Tsubame, Hibari, Tobi, and Chidori are newbies in the group who have received their first mission, though it’s not an easy one as they meet many adversaries and encounter strong enemies. As teamworks that they are not used to lead to disadvantages, they must to grow to trust each other in order to overcome these adversaries.

[Source: animate Times via MAL]

Kaiju Girls Season 2 Episode #05 Anime Review

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©Tsuburaya Production / Kaiju Girls Production Consortium

“Around Town! Kaiju Girls!?”

What They Say:
Humanity’s battle of many years with the kaiju, giant monsters, has finally come to an end. Now that Earth has entered an age of peace, girls with the souls of kaiju have begun to appear, giving them the ability to transform into kaiju. They are known as the Kaiju Girls, and this is the powerful, transient, beautiful, and at times easygoing story of the strange fate these girls bear.

The Review:
Content: (please note that content portions of a review may contain spoilers)
The show didn’t quite lose me the last time around but it went back to some familiar territory for a bit. With this episode there’s definitely some fun as the girls, having completed their training for the day, hit the showers and head out on the town. With some cute shower time first, the time out in the world doesn’t let them just enjoy themselves for too long before some of the Shadows shows up. That means some action which is cute as she employs a Gentle Kick and the like. The others watching along kind of just take it all in before delving into badly named anime gags, which kind of detracts from the episode.

In Summary:
The show keeps things moving along a fair bit here compared to my hazy memory of the original series just in that they’re dealing with actual threats with most episodes. The post-credits piece brings in a bit more which is nice and helps and the school bit at the end is also pretty cute. I’m just glad they didn’t spend as much time on the shower side as they could have because it would have been fairly creepy.

Grade: B-

Streamed By: Crunchyroll

‘Beyblade Burst Chōzetsu’ Anime Announced

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The current series with Beyblade Burst kicked off back in April 2016 and got its second run going last April with Beyblade Burst Evolution. As we’re inching up on another April it looks like a new incarnation is coming with Beyblade Burst Chozetsu.The announcement arrived from TV Tokyo with the nod that more information will be coming in the near future as they didn’t detail anything about cast or staffing for it.

The previous series was directed by Katsuhito Akiyama based on the scripts from Hideki Sonoda. Animated at OLM, the character designs are produced by Toshiaki Ohashi.

The Japanese main cast includes Marina Inoue as Valto Aoi, Junya Enoki as Shu Kurenai, Fumihiro Okabayashi as Rantaro Kiyama and Tsubasa Yonaga as Kensuke Midorikawa.

Plot concept: Beyblades are the most popular battle tops in the world. Boys around the globe put their hearts and souls into fierce Beyblade battles.

Valt Aoi is a fifth-grade elementary school student who is crazy about Beyblade. Valt’s best friend since childhood, Shu Kurenai, is hailed as a Beyblade prodigy and has already been named as one of the National Beyblade Tournament’s Final Four. Inspired by Shu’s accomplishments, Valt sets his sights on reaching this year’s national tournament.

But to get to the big leagues, he must first emerge victorious from the district tournament––no easy feat, given the tough opponents standing in his way.

Determined to win, Valt aims to make it to the championship, where he hopes to battle Shu and move on to the national tournament. As he battles, Valt broadens his circle of friends and reaches new heights. Without even realizing it, he has begun to dream of becoming the best Blader in the world.

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